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Eliot's The Waste Land - The Waste Land.

Eliot The poetry of the modernist movement is characterized by an emphasis on the alienation of the individual from the broader community in which he or she exists.

Eliot's Eliot Home → SparkNotes → Poetry Study Guides → Eliot’s Poetry → Study Questions.

This is a poem full of rape – we get the story of the abused and mutilated Philomel, who became the nightingale, and the seduced, abandoned and mad Ophelia, whose "good night, sweet ladies, good night, good night" follows on from the bickering cockneys' chatter of abortion and adultery, and the story of the typist aggressively taken by her dinner guest. It is a poem of dead fathers – Ariel's lies to Ferdinand about his supposedly dead father's "sea change"; "the king my father's wreck" – and of other losses – the drowned Phlebas stands in for Eliot's friend Verdenal, dead at the Dardanelles – and thus for all of the war dead. It is a poem in which polluted rivers, and canals by the gasworks, are the barren landscapes undone by wrongful acts and unasked questions in Arthurian legend. What was old and fine has become sinister and distorted and changed; what is new is cheap and vulgar and shoddy –"we are in rats' alley / where the dead men lost their bones". It is a poem in which sex turns to bickering to the darkest of nightmares as quickly as Sosostris can turn her tarot cards.

Eliot’s essay as a form of embodied thinking.T.

T.S. Eliot, . The . 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.

Eliot’s modernism, which was strongly influenced by his conversion to Anglo-Catholicism, is a harsh critique of the pervasive self-obsession of the modern secular world....

And if Prufrock's problem coincides with the dynamics of Eliot's particularmedium of dramatic monologue, Eliot's problem coincides with the dynamics of thepoetic medium itself; just as Prufrock is paralyzed by his consciousness of theother, his author is paralyzed by his consciousness of the tradition. In theline "It is impossible to say just what I mean!" the dramaticcharacter and his author meet, "uttering the words in unison, thoughperhaps with somewhat different meaning," and displaying the rhetoricaladvantage a dramatic poet holds. And Eliot's imprisoning his speaker in the verymedium of expressive or even confessional speech may register his ownintertextual interment in a medium inscribed with prototypes of original orcentral speech—whether prophetic, like John the Baptist's, or epic, likeDante's, or dramatic, like Shakespeare's—which are codified in and reinforcedby conventions precluding the possibility of saying "just what Imean." Eliot's ironic use of rhyme and meter in "Prufrock"acknowledges the complicity of the poet's conventions with his persona's"de-meaning" language. On the one hand, the "comic" meter oflines like "In the room the women come and go / Talking ofMichelangelo" equates poetic forms that channel force and the social formsof keeping conversation light. On the other hand, dreams of escape from thepre-formulating formulae are them- selves recounted in formulaic lines, for thesolution to Prufrock's problem would be a "solution" for Eliot aswell-forgetting the present and the separate self, surrendering to the oblivionof an unconscious nature and the "natural" meter of English poetry:

T.S Eliot is considered as with your essay question.T.S.

Alfred Prufrock” and James Joyce’s “The Dead”, are epitomes of this modernism.

The flow and beauty of these lines demonstrates that Prufrock is capable of speaking about love in poetic style, so he should not be insecure. Again, it Is the understanding that Prufrock is speaking as though he were come back from another place, like Dante, that allows him to reveal his emotions in such heightened language. Prufrock has skill with language throughout the poem, but it is not Prufrock in the setting that is relating the scene. It is not the Prufrock of the scene that can quote from Marvell and Shakespeare; instead, it is the Prufrock of another place that is speaking in the poem. All this is given by Eliot's use of a passage by Dante, but without the context of the poem as a whole, looked back on, as it were, the epigraph makes little sense and seems out of place. When taken in retrospect, the reference to Dante is not only appropriate, but it explains how a character as insecure and inarticulate as Prufrock can say exactly what he means in the poem (through the poet), but not in the scene in the poem.

This five-line interlude ending on "the floors of silent seas" forms anencapsulated version of the remainder of the poem, in which the frustrated effort toestablish purposive discourse leads once again to withdrawal downward and inward to asilent world of instinctual being. A return to images of distension and distractingsensuality provokes a final impulse toward violent imposition of the will--"to forcethe moment to its crisis"--which ends, like previous thoughts of disturbing theuniverse, in ruthless self-mockery. The image of decapitation parodies the theme ofdisconnected being and provides for at least a negative definition of the self: "I amno prophet."

Eliot's repetition of 'Do I dare?';.Study questions about The Waste Land.
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Eliot, literature essays, a "The Waste Land Essay Questions".

Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego....

GradeSaver, 26 October. Modern Poetry.

While the speaker of Eliot’s poem has a nervous and bashful approach in his attempts at romance, the hesitant postmodern speaker in Corso’s poem makes use of sarcasm to attack the institution of marriage....

Eliot question.A personal response to the poetry of T.S.

J. Alfred Prufrock is not just the speaker of one of Eliot's poems. He isthe Representative Man of early Modernism. Shy, cultivated, oversensitive, sexuallyretarded (many have said impotent), ruminative, isolated, self-aware to the point ofsolipsism, as he says, "Am an attendant lord, one that will do /To swell aprogress, start a scene or two." Nothing revealed the Victorian upper classes inWestern society more accurately, unless it was a novel by Henry James, and nothing betterexposed the dreamy, insubstantial center of that consciousness than a half-dozen poems inEliot's first book. The speakers of all these early poems are trapped inside their ownexcessive alertness. They look out on the world from deep inside some private cave offeeling, and though they see the world and themselves with unflattering exactness, theycannot or will not do anything about their dilemma and finally fall back on self-servingexplanation. They quake before the world, and their only revenge is to be alert. After ,poetry started coming from the city and from theintellect. It could no longer stand comfortably on its old post-Romantic ground, ecstaticbefore the natural world.

The Sacred Wood: Essays on Poetry and Criticism : T.S.

Alfred Prufrock.” Eliot aims to derive life’s meaning through recounting the meaning of life's pervasive realities in an effort to stage the traditionally modernist conflict of an individual’s identity in relation to their relationship to community.

T S Eliot As A Modernist Poet English Literature Essay.

Shymal Bagchee expresses his view on Eliot’s modernist and absurdist viewpoints for the poem in his critical review titled “‘Prufrock’: An Absurdist View of the Poem.” Prufrock does not express his emotions like a regular person would, one that is connected to their feelings about the opposite sex....

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