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Telebisyon An Essay On Philippine Television - Remodel

Roces set up the printing shop in the family garage, starting with two platen presses
loaned by his father from the T-V-T (Tribune-Vanguardia-Taliba), some pieces of
handset types, and a composing table with a metal top. Photo News, first published
in June 1922, started as a weekly in three languages—English, Spanish, and Tagalog.
It did not fare well with the reading public and was changed to Liwayway in
November 1922. Converted into a purely Tagalog weekly with plenty of fiction and
illustrations, it became the country’s most popular Tagalog magazine and gave rise to
the other vernacular publications. The group of vernacular weekly magazines was
reorganized into the Ramon Roces Publications Inc. In 1940, the group, including
Graphic, had an audited nationwide circulation of 280,000 copies weekly.

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DE LOS SANTOS, EPIFANIO (Epifanio Cristobal de los Santos) aka G. Solon
b. Malabon, Rizal 7 April 1871 d. 18 April 1918. Essayist, poet. He is the only child
of Escolastico de los Santos and Antonina Cristobal. He was married twice: to Ursula
Paez of Malabon, then to Margarita Torralba of Malolos. With a father devoted to
history and a mother of exceptional musical talent, he grew up in a scholarly and
artistic environment. He obtained his bachelor’s degree at Ateneo de Manila, and his
licentiate in law at the Universidad de Santo Tomas. While in college, Don Panyong,
as he was fondly called, spent much of his time, studying masterpieces of Spanish,
English, French, and German writers.

"Conclusion On Television" Essays and Research Papers ..

Addiction” by Marie Winn, Winn relates watching television to having an addiction with drugs and alcohol.

PEREZ, LIGAYA D. b. Gapan, Nueva Ecija 18 May 1924. Fictionist, essayist.
Born to Abraham Perez, a Methodist preacher, and Jovita Domingo, she was brought
up among rural folk and graduated from the Gapan Elementary School, 1936. She
obtained her secondary education at the Torres High School in Tondo, finished
optometry at Centro Escolar University, and started her premedicine course at the
University of the Philippines when World War II broke out. An optometrist by
profession, Perez has had a long and productive writing career. Her writings are a
much-sought-after source of educational materials. She was editor of the Evening
News, 1960-1964, running as well a daily column for five years, and women’s editor
of Pilipino Free Press (sister publication of Philippines Free Press). She also wrote
columns for Liwayway magazine and Diyaryo Filipino. In 1969, she became
president of the Panitik ng Kababaihan.

Perez is the writer, director, and producer of the radio drama series, May Ningning
ang Buhay (The Bright Side of Life), as well as a writer, producer and host of several
educational programs and commissioned works on television. In her programs on
radio and TV, she has staunchly supported the national-language bill in Congress.
She also writes movie scripts and reviews.

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How Television Shapes Our Mind Essay Example for Free

As a student, Locsin published his stories in the university literary journals and later
focused on essays and feature articles which he submitted to Free Press. His short
story, “Veteran of the War,” first appeared in the Tribune in 1940, and was included
in Leopoldo Y. Yabes ’ anthology Philippine Short Stories: 1925-1940, published in
1975. His poems are collected in Last Poems, 1968. He wrote a novel during his
retirement, The Heroic Confession, 1978, on the life of Jose Rizal. • M.L. Maniquis

Lanot has written three books of poetry: Sheaves of Things Burning, 1967; Flowers
of the Sun, 1970; and Passion and Compassion, 1988. She co-edited two significant
anthologies of women’s writing in the Philippines, Filipina I, 1984, and Filipina
II, 1985; and Kamao, Panitikan ng Protesta 1970-1986 (Fist, Literature of Protest,
1970-1986), 1987, a three-volume anthology of protest literature published by the
CCP. She also wrote several TV scripts, such as the documentary Priestess to
President, 1988, Warriors for Peace, 1993, and an episode for the TV drama
anthology, Ang Tangi Kong Pag-ibig (My Only Love). Her compilation of selected
profiles, Dream Sketches, was published in 1991. Her poems and essays on
feminism, literature, cinema, and culture have been published in many books and
journals here and abroad, including Sarilaya, Tenggara, Cinemaya, Gems in
Philippine Literature, Filipino Para sa Filipino (Filipino for the Filipino),
Heritage, The Guerilla is Like a Poet, Caracoa, New Laurel Review, Kamalayan,
Frauen auf den Philippinen, and Versus: Philippine Protest Poetry 1983-1986.

How Television Shapes Our Mind Essay
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Thesis Television and Study Essay - 1453 Words

In the early 1970s, she started doing research and publishing essays on Philippine
literature in Tagalog and English. She saw the need to contextualize literary texts
within their historical periods. This resulted in her doctoral study on the Tagalog
novel, published as Ang Nobelang Tagalog, 1905-1975: Tradisyon at Modernismo
(The Tagalog Novel, 1905-1975: Tradition and Modernism), 1982. Reyes has
written extensively on popular culture, especially komiks and women’s magazines.
She authored The Romance Mode in Philippine Popular Literature and Other
Essays in 1991, and Kritisismo (Criticism), 1992. She edited Ang Ating Panitikan
(Our Literature), with Isagani R. Cruz, 1984; Noli Me Tangere, A Century After,
1987; 200 Taon ni Balagtas (200 Years of Balagtas), 1989; Ang Ginto sa Makiling
at Ibang Kuwento (The Gold in Makiling and Other Stories), 1990; Reading
Popular Culture, 1991; and Ang Silid na Mahiwaga (The Mysterious Room),

telebisyon an essay on philippine television

San Juan is noted for his wide-ranging scholarly interests and literary output which
have already spanned several decades and dealt with a multitude of subjects. He is a
product of the intellectual, literary, and political ferment of the 1950s which
continued up to the 1970s. His scholarship has dealt with literary criticism, Third
World culture and literature, critical theory, semiotics, and ethnicity and race
relations. His most significant scholarship has been published in The Radical
Tradition in Philippine Literature, 1970; A Preface to Pilipino Literature, 1971;
Carlos Bulosan and the Imagination of the Class Struggle, 1972; Towards a
People’s Literature: Essays in the Dialectics of Praxis and Contradiction in
Philippine Writing, 1984; Crisis in the Philippines: The Making of a Revolution,
1986; Subversions of Desire: Prolegomena to Nick Joaquin, 1988, Ruptures,
Schisms, Interventions: Cultural Revolutions in the Third World, 1988; Only by
Struggle: Reflections on Philippine Culture, Society and History in a Time of
Civil War, 1988; and From People to Nation: Essays in Cultural Politics, 1990;
and Pakikibaka Tungo sa Mapagpalayang Kultura (Struggle Toward a Culture of
Liberation), 1993.

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REYES, CID (Cesar Victor Pangilinan Reyes) b. Pasig, Rizal 28 July 1946.
Essayist. He is the son of Augusto Reyes and Humilde Pangilinan. He is married to
Mary Ann Beldia with whom he has a son. He finished his elementary and
secondary schooling at San Beda College in 1958 and 1962, respectively. He earned
his bachelor of arts in sociology in 1966 at De La Salle University. He studied
painting at the Academy of Fine Arts in Rome, 1973-1974, on a scholarship from the
Italian government. He also took art history courses at the City Lit Institute in
Covent Garden, London, from 1975 to 1978. He is a member and was a former
president, 1988-1990, of the Creative Directors Guild of the Philippines. At present
he is the senior vice-president and creative director of Hortaleza, Reyes, Cosio &
Associates, and editor and publisher of Larawan Book Publishing which specializes
in coffeetable books.

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