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The School Band And Orchestra Magazine Scholarship …
Serge Koussevitzky (sometimes transliterated as Sergei Koussevitski) was born in Vyshny Volochyok, 240 km northwest of Moscow on July 26, 1874. His poor Jewish parents were both musicians, and Koussevitzky learned violin and cello from an early age. In 1888, Koussevitzky won a full scholarship to the Music and Drama Institute run by the Moscow Philharmonic to study double bass. Koussevitzky was a virtuoso bass player and joined the Bolshoi Theater orchestra in 1894, where he stayed until 1905, moving to Principal bass of the Bolshoi in 1901. He married his first wife, Nadezhda Galat, a Bolshoi ballerina, in 1902. In 1905, Koussevitzky divorced Galat in order to marry Natalya Ushkov, daughter of a wealthy Russian tea merchant. With his wife's wealth, Koussevitzky was able to move to Berlin to study conducting. According to Norman Lebrecht in his gossipy (but fun) book The Maestro Myth, Koussevitzky was "...to take conducting lessons from Nikisch, whose gambling debts he paid off with his dowry. For his wedding present, Natalie asked her father to to buy Serge an orchestra ..." 53. Somewhat like the wealthy Sir Thomas Beecham in the early years of learning conducting, Koussevitzky used his great wealth to hire complete orchestras. In 1908, Koussevitzky made his conducting debut by hiring the Berlin Philharmonic (!) In 1909, Koussevitzky also founded a music publishing house, in Berlin, dedicated to new Russian music. In 1909, Koussevitzky formed his own orchestra in Moscow. During 1909-1920, Koussevitzky toured as a bass virtuoso and also conducted his orchestra. Koussevitzky had a flair for publicity and became famous across Europe. Following the Russian Revolution in 1917, Koussevitzky was appointed conductor of what became in 1918, the State Philharmonic Orchestra of Petrograd, predecessor of the Leningrad Philharmonic (and now the St. Petersburg Philharmonic). In 1920, Koussevitzky left Russia for Paris, where he began a new orchestral series called . In 1923, the Boston Symphony, searching for a successor to Pierre Monteux, offered Koussevitzky a three year contract, beginning with the 1924-1925 Boston season. Koussevitzky accepted, moving to Boston, where he would live the rest of his life.
As an orchestra builder, George Henschel hired many European musicians, particularly German, as well as employing Boston musicians from the older Handel & Haydn Society Orchestra, from Boston's Germania Orchestra, and from the Harvard Musical Association orchestra. These latter included pioneering Boston orchestral musicians such as the , , the , Carl Miersch, the , the , the , and others. The European musicians would sail to Boston each season in October, alone, and then return to their families in Europe the following May. Contracts were on a season-by-season basis, which made for a certain level of instability and change. In Boston, Henschel was praised for his ambitious programs, but less so regarding the discipline and consistency of the orchestral playing. In 1884, after three seasons in Boston, Georg Henschel returned to London to become Professor of singing at the Royal College of Music 1886-1888. He also began in 1886 the London Symphony Concerts (not connected with what was later the London Symphony Orchestra, founded in 1904). These London concerts continued until 1897. From 1893-1895, Henschel conducted the Royal Scottish Orchestra. He was, along with , one of the earliest-born conductors to make a phonograph recording of a complete symphony orchestra. Henschel died in Aviemore, Scotland his highland home September 10, 1934.
School Band And Orchestra Essay Scholarship
Oh no, I was still playing music. In fact, I was part of a 12 piece jazz band and we used to play on weekends in Sweden and even travel to different states. In summer I was playing Swedish polka. So I earned money as well. I also had a full scholarship for my education.
Mike Roylance was born in Washinton, D.C. on 7 September 1967. He studied at the University of Miami where he gained his BA. He then taught at Rollins College, in Winter Park, Florida. While in Florida, he taught at several other universities, including the University of Central Florida in Orlando, and playing in a number of groups related to Orlando's Disney World. Then, relocating to Chicago, Mike Roylance was a graduate student at DePaul University. At this time, he was Principal tuba with the Civic Orchestra of Chicago (training orchestra) during the 2001-2002 season. He also was a sub with the Chicago Symphony. Mike Roylance joined the Boston Symphony in July, 2003.
(School Band and Orchestra) Magazine essay …
Information And Eligibility: The School Band and Orchestra Scholarship Contest, are essay based college scholarships available to all public and private school students (including home school) in grades four through twelve. The School Band and Orchestra Scholarship Contest consists of a scholarship application, and a short scholarship essay of 250 words or less. Ten $1,000 scholarships will be awarded in two different categories; Five $1,000 scholarships in grades four to eight and five $1,000 scholarships in grades nine through twelve. Merchandising prizes will be contributed by Alfred Publishing and Yamaha Corporation of America. Entries will be judged by the SBO Magazine Editorial Board and a panel of music professionals.
The theme for the 13th Annual SBO Essay Scholarship Contest was unveiled with a poster included in the August issue of School Band & Orchestra magazine.
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School Band and Orchestra Magazine Scholarship ..
Our two senior orchestras perform with soloists at professional external venues, which have included St John’s, Smith Square, London, Royal College of Music, London and the Sheldonian Theatre, Oxford. We take part in a joint Choral Group Concert with Eton College. The Chapel Choir and Chamber Orchestra undertake a biennual tour to Europe.
band scholarship | Higher Education | Graduate School
John Ferrillo was born in Massachusetts in 1955. He was raised in Bedford, Massachusetts in a musical family. Ferrillo's mother was a music teacher with a Masters degree in music education. As a youth, Ferrillo played oboe in the Greater Boston Youth Symphony. John Ferrillo then followed the footsteps of two great Boston Symphony oboe predecessors, and Genovese's predecessor, , entering the Curtis Institute of Music in Philadelphia. Ferrillo studied for 5 years at the Curtis with of the Philadelphia Orchestra, where he received his Artist’s Diploma and Artist’s Certificate in the Class of 1977. Ralph Gomberg, Alfred Genovese and John de Lancie were all pupils of the legendary oboist and teacher at the Curtis Institute. Ferrillo studied at the Blossom Music Festival with John Mack. He also participated at the Marlboro Music Festival. Upon graduation from Curtis in 1977, John Ferrillo freelanced for a year. In 1977, he also played Principal oboe with the suburban Washington D.C. Fairfax Symphony Orchestra. For six years during the late 1970s and early 1980s, John Ferrillo taught at the University of West Virginia. He was constantly working towards a major symphony orchestra position during these years. In interviews, John Ferrillo has pointed out the challenges for a beginning musician to build a career. He said that he "blew off" nine years and 21 auditions, prior to landing his first position as assistant Principal oboe of the San Francisco Symphony 54. Ferrillo in May, 1985 won the competition to become second oboe of the San Francisco Symphony to begin in the 1985-1986 season, under Herbert Blomstedt. Then, only months later, in September, 1985, Ferrillo won the Principal oboe audition for the Metropolitan Opera Orchestra. Ferrillo joined the MET for the 1986-1987 season, and remained as Principal Oboe for fifteen seasons, 1986 to 2001. At the same time as his tenure at the Metropolitan Opera, Ferrillo taught oboe at the Juilliard School. Then, in 2001, Ferrillo succeeded Alfred Genovese, Principal oboe of the Boston Symphony who had retired at the end of the 1997-1998 season. Ferrillo also began to teach at Boston University and the New England Conservatory. John Ferrillo is admired for his singing tone and phrasing, which some speculate may have been reinforced during his years at the Metropolitan Opera. John Ferrillo's colleagues observe that his way of shaping and phrasing a line of music, and his intensity bring alive the teaching of Ferrillo's great mentor John de Lancie. As such, he continues a tradition of the Boston Symphony winds, and in particular the oboe section which is not surpassed by another orchestra.
School band and orchestra magazine essay contest - Write a t
Georges Longy, born in Abbeville (near Caen), France on August 29, 1868. Longy was a student of the great teacher, Georges Gillet (1854-1920), head of the oboe program at the Paris Conservatoire from 1882-1919. Georges Longy where he won the Premier prix in the 1886 Concour 12. In the 1888-1889 season, Longy became Principal oboe of the Colonne Orchestra of Paris. Following the unexpected death of Albert Weiss in the summer 1898, Wilhelm Gericke sent for Georges Longy to join the Boston Symphony as Principal oboe. Longy was also active in chamber music. For 14 years, 1899-1913, with the funding of Elise Hall, Longy founded the Boston Orchestral Club, a small semi-professional symphony which played works perhaps too avant-guard for the Boston Symphony 11. In 1899, he formed the , a wind chamber music group, which played music from the Baroque to modern eras. The Longy Club was active for 21 seasons, 1899-192012. The was modeled after the Paris wind group organized by the great flutist Paul Taffanel (1844-1908): . Among the musicians playing in the Taffanel group were several of Longy friends and colleagues: clarinetists , and . The first concert of the took place on December 18, 1899, in Association Hall, Boston. The initial listed members were: Georges Longy, oboe, , flute, , clarinet, , horn, , bassoon and Heinrick Gebbard, piano. Listed as "Assisting Players" were , who was then Assistant Principal flute of the BSO, , oboe; , clarinet; , bassoon (brother of Hugo Litke) and , horn 24. Later players were , oboe, and , horn. Georges Longy seems to have gone back to France every summer from at least 1904-1924. In 1915, to further musical education, Longy, with Charles Loefler (1861-1935) created the Longy School of Music in Boston, which still exists. At the end of the 1924-1925 season Georges Longy left the Boston Symphony, seeming as a result of disagreements with the new Boston Symphony conductor, Serge Koussevitzky. Georges Longy returned to France, and settled near his birthplace in Abbeville. It seems that on his return to France, Longy no longer played the oboe in public. Georges Longy died at Abbeville while out for a walk in March, 1930.
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