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Other tragedies of Shakespeare include Hamlet and Romeo and Juliet.
William Shakespeare's play, Romeo and Juliet, tells about two young "star-crossed lovers" whose deaths were caused by fate, not their parents or themselves.
In Romeo and Juliet, death is everywhere. Even before the play shifts in tone after 's death, Shakespeare makes several references to death being Juliet's bridegroom. The threat of violence that pervades the first acts manifests itself in the latter half of the play, when key characters die and the titular lovers approach their terrible end. There are several ways in which the characters in Romeo and Juliet consider death. Romeo attempts suicide in Act III as an act of cowardice, but when he seeks out the in Act V, it is a sign of strength and solidarity. The Chorus establishes the story's tragic end at the beginning of the play, which colors the audience's experience from the start - we know that this youthful, innocent love will end in tragedy. The structure of the play as a tragedy from the beginning makes Romeo and Juliet's love even more heartbreaking because the audience is aware of their impending deaths. The journey of the play is the cycle from love to death - and that is what makes Romeo and Julie so lasting and powerful.
"Romeo and Juliet: An exploration of Gender Roles".
Two very good examples of the contrasts between a good leader and a good role model are the characters Friar Lawrence and the Prince of Verona, in Romeo and Juliet....
In Shakespeare’s Romeo and Juliet, the audience witnesses a great amount of familial pride when Tybalt shouts to an opposing family member, “What, drawn, and talk of peace....
Romeo and Juliet takes place in the 1500s in the city of Verona.
Because one thing is for sure, compared to today norms, social classes and gender rolls in the story about Romeo Montague and Juliet Capulet differs a lot.
In Romeo and Juliet, Shakespeare upends certain gender expectations while simultaneously reminding his audience that these defined roles do exist. Romeo arguably displays feminine characteristics, at least as defined by his peers. He ignores all calls to action, and has little use for the aggression that most males around him exhibit. His pensive nature is cause for his friends' mockery. Even after he falls in love, Romeo is far less prone to action than Juliet, who in fact shows a tendency towards efficient maneuvering that is otherwise exhibited by male characters in the play. She makes quick decisions, like her idea that she and Romeo should wed, and is not easily discouraged by bad news. In these two protagonists, Shakespeare is certainly reversing what his Elizabethan audience would have expected, as he frequently did with his heroines. However, the pressures on Juliet to get married – especially from , who is interested only in a good match and uninterested in love – remind the audience that such atypical strength in a woman can be threatening to a patriarchal society. Juliet's individualism is quickly quashed by her father's insistence on a marriage to , and though she ultimately outwits him, his demands are a reminder that the world of Romeo and Juliet did not value reversals of gender roles as much as the audience might have.
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Throughout the play Romeo and Juliet were aided in their love.
If the letter from Friar Laurence were to get delivered to Romeo by Friar John, he would have known that Juliet wasn’t really dead and that it was just a plan to help her get out of her marriage with Count Paris....
This is the theme of Shakespeare’s Romeo and Juliet.
Romeo and Juliet suggests that individuals are often hamstrung by the identities forced upon them from outside. Most notably, this theme is manifest in Juliet's balcony soliloquy, in which she asks, "Oh Romeo, Romeo, wherefore art thou Romeo?" (2.1.75). The central obstacle of the play is that the two passionate lovers are separated by a feud based on their family names. The fact that their love has little to do with their given identities means nothing to the world around them, and so they must choose to eschew those identities while they are together. Unfortunately, this act of rejection also means Romeo and Juliet must ignore the world outside their comfortable cocoon, and, as a result, the violent forces ultimately crash down upon them. A strong sense of identity can certainly be a boon in life, but in this play, it only forces separation between the characters. Even Mercutio, who is not actually a Montague, is killed for his association with that family. The liveliest characters in Romeo and Juliet die not because of who they are, but because of the labels that the outside world has foisted upon them.
The death of Romeo and Juliet was partially because of free will.
Romeo and Juliet suggests that the desire for revenge is both a natural and a devastating human quality. From the moment that the play spirals towards disaster in Act III, most of the terrible events are initiated by revenge. Tybalt seeks out Romeo and kills Mercutio from a half-cooked desire for revenge over Romeo's attendance at the masquerade ball, and Romeo kills Tybalt to avenge Mercutio. Romeo's desire for revenge is so overpowering that he does not pause to think about how his attack on Tybalt will compromise his recent marriage to Juliet. Of course, the basic set-up of the play is contingent on a long-standing feud between the Montagues and Capulets, the cause of which no longer matters. All that matters is that these families have continued to avenge forgotten slights for generations. Though Shakespare rarely, if ever, moralizes, Romeo and Juliet certainly presents revenge as a senseless action that always causes more harm than good.
Gender Roles in Romeo and Juliet, by William Shakespeare Essay
However, the three most culpable parties are the set of opposing parents; the Montagues and Capulets, the prince; Escalus of Verona and ultimately the lovers, Romeo and Juliet.
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