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2. Using an explanatory sentence to introduce the quotation.

Anyone, of course, might develop a passion for quotes, but for a writer it’s a particularly intimate connection. A good quotation can serve as a model for one’s own work, a perpetual challenge with the neatness and self-sufficiency of its structure laid bare in the mind. How does it work? How might a quotation be done differently, with the materials and urgencies of a different moment? Perhaps writers should begin, in fact, by inwardly uttering again what has already been uttered, to get the feel of it and to savor its full power.

3. Using a

Nevertheless, if the masses were conceivably to ask for avant-gardeart and literature, Hitler, Mussolini and Stalin would not hesitatelong in attempting to satisfy such a demand. Hitler is a bitterenemy of the avant-garde, both on doctrinal and personal grounds,yet this did not prevent Goebbels in 1932-1933 from strenuouslycourting avant-garde artists and writers. When Gottfried Benn,an Expressionist poet, came over to the Nazis he was welcomedwith a great fanfare, although at that very moment Hitler wasdenouncing Expressionism as . This wasat a time when the Nazis felt that the prestige which the avant-gardeenjoyed among the cultivated German public could be of advantageto them, and practical considerations of this nature, the Nazisbeing skillful politicians, have always taken precedence overHitler's personal inclinations. Later the Nazis realized thatit was more practical to accede to the wishes of the masses inmatters of culture than to those of their paymasters; the latter,when it came to a question of preserving power, were as willingto sacrifice their culture as they were their moral principles;while the former, precisely because power was being withheld fromthem, had to be cozened in every other way possible. It was necessaryto promote on a much more grandiose style than in the democraciesthe illusion that the masses actually rule. The literature andart they enjoy and understand were to be proclaimed the only trueart and literature and any other kind was to be suppressed. Underthese circumstances people like Gottfried Benn, no matter howardently they support Hitler, become a liability; and we hearno more of them in Nazi Germany.

~Jean Cocteau, , 1926It's easier to quote poets than to read them.

Put the period after the parenthetical citation, unless you're using a block quotation.

Similarly, after you have decided that you do want to use material in quoted form, quote only the portions of the text specifically relevant to your point.

If you are quoting dialogue, or a statement made by an author, and you are drawing attention to it as a statement, a comma normally precedes the quote. This almost always comes after a verb like "says", "asks", "responds", "states", "screams", etc. In these instances, the quotation begins with a capital letter. Consider the following examples:

How to Quote and Cite a Poem in an Essay Using MLA Format

If it is particular words or phrases that "prove" your point, you do not need to quote the sentences they appear in; rather, incorporate the words and phrases into sentences expressing your own ideas.

True, the first settlers of bohemia -- which was then identicalwith the avant-garde -- turned out soon to be demonstrativelyuninterested in politics. Nevertheless, without the circulationof revolutionary ideas in the air about them, they would neverhave been able to isolate their concept of the "bourgeois"in order to define what they were not. Nor, without the moralaid of revolutionary political attitudes would they have had thecourage to assert themselves as aggressively as they did againstthe prevailing standards of society. Courage indeed was neededfor this, because the avant-garde's emigration from bourgeoissociety to bohemia meant also an emigration from the markets ofcapitalism, upon which artists and writers had been thrown bythe falling away of aristocratic patronage. (Ostensibly, at least,it meant this -- meant starving in a garret -- although, as wewill be shown later, the avant-garde remained attached to bourgeoissociety precisely because it needed its money.)

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How to Quote Poetry in an Essay (with Pictures) - wikiHow

Draft features essays by grammarians, historians, linguists, journalists, novelists and others on the art of writing — from the comma to the tweet to the novel — and why a well-crafted sentence matters more than ever in the digital age.

Quoting Poetry in English Papers - English Department

1. Titles of works that appear within a volume, such as short stories, poems, and essays, should be placed in quotation marks: " Araby," "The Prophecy," "Dulce et Decorum Est."

1) When you quote exact words, phrases, or lines from poems, ..

Comma placement before a quotation also causes people trouble. Notice that in 'The bells on the Monk's bridle ring "in a whistlynge wynd als cleere…"' there is no comma after "ring" and before the beginning of the quote? This is because the quotation works grammatically in the sentence. In this case, the first letter of the quotation should be lower case (unless the first word is a proper noun). With shorter quotations you should attempt to do this wherever possible on stylistic grounds. Here are some examples of quotations integrated into the grammar of the sentence.

Quoting Poetry in English Papers;

Literature essay topics help you to narrow down on a certain idea or detail, it is important to choose the essay topics you are interested in. Below are the examples of good literature essay topics:

50 Powerful Quotes about Poetry | Words Dance Publishing

3. Your own title should neither be underlined nor placed in quotation marks unless it contains the title of the work you're discussing. In that case, only the title of the work should be punctuated as a title.

well-supported essay about poetry

At a certain point, in a necessary act of appropriation, you make it part of who you are, whether or not you ever quote it to anyone but yourself. Culture then is not a wall “over there” but the very tiles out of which your own thoughts are constructed. The tiles are variegated and of different ages and subject to every kind of manipulation and juxtaposition. They take their place finally among quotes of a different kind — the quotes that are quotes to no one but you, all the things that friends and lovers and family and strangers and random voices on radio or television have said that cling to your memory and come back at odd hours of day or night, the words that become part of an alternate canon of what has not yet been written down. Out of all that mixing, with luck, might come the rarest thing of all, a new thought or fresh insight that can take its place with all those other sentences, a quotation that waited until just this moment to declare itself.

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