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IELTS Essay, topic: Women in power | IELTS-Blog

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You can use power writing to organize and write a five-paragraph essay

These two poems are about possession, and they seem to me a poet’s poems—that is, they are about the poet’s relationship to her own power, which is exteriorized in masculine form, much as masculine poets have invoked the female Muse. In writing at all—particularly an unorthodox and original poetry like Dickinson’s—women have often felt in danger of losing their status as women. And this status has always been defined in terms of relationship to men—as daughter, sister, bride, wife, mother, mistress, Muse. Since the most powerful figures in patriarchal culture have been men, it seems natural that Dickinson would assign a masculine gender to that in herself which did not fit in with the conventional ideology of womanliness. To recognize and acknowledge our own interior power has always been a patch mined with risks for women; to acknowledge that power and commit oneself to it as Emily Dickinson did was an immense decision.

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Essay on The Power Of Language -- essays research …

The other project of the personal essay, then, is that of becoming something else. There’s potential for maturation and discovery in drawing a portrait. But we usually don’t stand still long enough to paint an accurate picture. For young writers employing youthful terms to reflect on the not-so-distant past, revisiting those words in a few years can be awkward and painful. I cover my head with a blanket and peer out with one eyeball when I look back at tweets from high school.

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Power Of Language - Essay by Mustafasafdari - Anti …

Abuse of Power and the Impact It Has on Society Essay | Essay

There are many more Emily Dickinsons than I have tried to call up here. Wherever you take hold of her, she proliferates. I wish I had time here to explore her complex sense of Truth; to follow the thread we unravel when we look at the numerous and passionate poems she wrote to or about women; to probe her ambivalent feelings about fame; a subject pursued by many male poets before her; simply to examine the poems in which she is directly apprehending the natural world. No one since the 17th century had reflected more variously or more probingly upon death and dying. What I have tried to do here is follow through some of the origins and consequences of her choice to be, not only a poet but a woman who explored her own mind, without any of the guidelines of orthodoxy. To say “yes” to her powers was not simply a major act of nonconformity in the 19th century; even in our own time it has been assumed that Emily Dickinson, not patriarchal society, was “the problem.” The more we come to recognize the unwritten and written laws and taboos underpinning patriarchy, the less problematical, surely, will seem the methods she chose.

There is one poem which is the real “onlie begetter” of my thoughts here about Dickinson; a poem I have mused over, repeated to myself, taken into myself over many years. I think it is a poem about possession by the daemon, about the dangers and risks of such possession if you are a woman, about the knowledge that power in a woman can seem destructive, and that you cannot live without the daemon once it has possessed you. The archetype of the daemon as masculine is beginning to change, but it has been real for women up until now. But this woman poet also perceives herself as a lethal weapon:

power essays: examples, topics, questions, thesis …
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Language and Power in Pygmalion - Mega Essays

I know that for me, reading her poems as a child and then as a young girl already seriously writing poetry, she was a problematic figure. I first read her in the selection heavily edited by her niece which appeared in 1937; a later and fuller edition appeared in 1945 when I was sixteen, and the complete, unbowdlerized edition by Johnson did not appear until fifteen years later. The publication of each of these editions was crucial to me in successive decades of my life. More than any other poet, Emily Dickinson seemed to tell me that the intense inner event, the personal and psychological, was inseparable from the universal; that there was a range for psychological poetry beyond mere self-expression. Yet the legend of the life was troubling, because it seemed to whisper that a woman who undertook such explorations must pay with renunciation, isolation, and incorporeality. With the publication of the Complete Poems, the legend seemed to recede into unimportance beside the unquestionable power and importance of the mind revealed there. But taking possession of Emily Dickinson is no simple matter.

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