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Poetry as Confession - Wikipedia
SQ: I'm glad you describe the poem in physical terms because I always want them to feel alive, moving and still becoming something after they are published. That has been difficult to achieve in this work because some of these poems feel like old thorns. Well, actually more than thorns, there is a certain amount of coming to terms with the many possible trajectories my life has had. I have two versions of "The Applicant" that I hope to include in the book—I haven't had final edits so we'll see what stays in. Both versions respond to the essence of the Plath poem as I read it: Are you are a sort? Will you fit in? Can we count on your silence?
Rather than a chronicle of starving poets, or an instructional tome on craft and poetics, The Other 23 & a Half Hours is an optimistic, energetic survey of the myriad ways poets can involve themselves in their art, their community, and the world at large. Drawing from the experiences of over fifty-eight poets, including herself, Owen explores activities such as performing, research, and translation, as well as creative endeavours like running a radio show or small press, and working with different mediums. Owen seems particularly qualified to write a book that champions a life of artistic diversity and adaptability.
Selected Essays and Reviews - University of Western Ontario.99">
Wilson, Naturalist (Island Press) Poetry WinnerPoetry FinalistsCriticism WinnerCriticism FinalistsNona Balakian Excellence in Reviewing Award WinnerIvan Sandrof Award for Lifetime Achievement in Publishing Winner Fiction Winner
Following the success of our , in which we highlighted select back issues in honour of the , we decided to cast our gaze back, chronologically, over our complete backlist…to include (eventually!) brief reviews of every issue not previously covered. Featured issues will be highlighted on our website biweekly.From the Summer issue, we're featuring a poem from east coast poet Rebecca Păpucaru. Her poem, "Introducing Miss Zelda Zonk," was one of three poems published by the author in Issue #195. Her other poetry has appeared in PRISM international, The Dalhousie Review, The Best Canadian Poetry in English and I Found It at the Movies. She lives in Sherbrooke. Here's a taste of the poem...I leave my agent's office with a pair of black eyes and a socialite's nose. A blob of bovine matter no bigger than a sleeping capsule now corrects my recessive chin. The lye permeates my hair at the antebellum level, drugging every fibre, transforming my head from pulp to paper.
our poetry,-from useless questionings back to ..
This issue is anchored by a remarkable final piece. Closing the magazine, we find a 16-page, four-part long story by Steven Heighton. “To Everything a Season” is the work of a confident, assured writer. Heighton had just been named a finalist for the Journey Prize the previous year, and received a National Magazine Award for fiction. In the decades since this publication, he has released works of poetry, essays, and fiction, and has been widely recognized for his work, including with a Governor General’s Award for Poetry in 2016.
CS: In your poem "The Applicant," the lines seem to hurl themselves onto the page and are quite epiphanic. As a response to the poem by Plath with the same title, how does your revision process work to achieve the same energy as your own version?
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In FORMS OF FEELING: POETRY IN OUR LIVES John Morgan ..
Following the success of our , in which we highlighted select back issues in honour of the , we decided to cast our gaze back, chronologically, over our complete backlist…to include (eventually!) brief reviews of every issue not previously covered. Featured issues will be highlighted on our website biweekly.The has been distributed to readers all over the globe, and inside you'll find a fantastic story by Governor General's Award finalist and Trillium Book Award winner Kate Cayley. In this interview, she talks with Francesca Bianco about artistry, identity and truth as they pertain to her fiction piece. Here's a sample of their conversation:FB: In "The Ascent," we find a woman—sometimes called "Lady"—who renounces herself ("I am not that woman any longer") and puts on a metaphorical habit in order to perform another character. She embarks on a pilgrimage of self-fabrication that ultimately saves her. Writing can be a kind of performance. What is the nature of that performance for you when putting pen to paper? KC: I think it depends very much on the form. I find short stories probably the most performative because it is possible to sustain a different voice over that briefer journey. With anything longer, the author intrudes. And of course, like Lady finds, the performance becomes itself a real thing. That said, I’m a pretty nuts-and-bolts writer, and I often keep my distance from my own material—as in, there’s a part of me refining it from a technical standpoint even as I’m most present in it, so I don’t think I’m immersed in the performance in the way Lady is. I suppose it is a kind of salvation, in the sense of something that transforms experience.This month's e-newsletter has lots of info on upcoming theme issues, news and interviews with contest winners, and a National Magazine Award nomination!News: Susan Olding has received a NMA nomination for "White Matter," her creative nonfiction piece originally published in . Winners will be announced at a special gala in Toronto on June 10, and all Malahat staff are crossing their fingers!Interviews: Novella Prize winner Anne Marie Todkill discusses framing and narration in her winning novella story, "Next of Kin.". Founders Award for Fiction winner J. R. McConvey talks about the theme of grief in his winning piece, "Home Range." And Kate Cayley lets us in on truth and identity in her story, "The Ascent," published in our Spring Issue.Calls for Submissions: we have two theme issues coming up, and we're looking for writers to send us their work! An issue on (deadline August 15, 2016) and on (deadline May 15, 2017) may both be our biggest and best issues yet.Great news! Canadian writer Susan Olding has been nominated for a National Magazine Award in the Essays category for her nonfiction piece, "White Matter," which originally appears in of the Malahat. This issue, published in January 2016, highlights the best of creative nonfiction in Canada today.Susan Olding's work has won and been nominated for multiple awards, including previous National Magazine Awards. Our fingers are crossed that "White Matter" makes the cut for this year's NMAs!As I stare at the cover of this particular issue of The Malahat Review, three smiling faces greet me, welcoming me to the realm of their works. These women, Paulette Jiles, Diana Hartog, and Sharon Thesen, are the focus of this issue, with a generous selection of their poetry and with a preceding interview by editor Constance Rooke.
Confessional poetry - Wikipedia
Into his eighth decade, with over 100 publications to his name, Bowering has two Governor General's Literary Awards, one each for poetry and fiction, and has been prolific in all forms, including drama and nonfiction. But in fairness, there may yet be people who haven't read Bowering—or at least, there were before this reviewer agreed to write the piece you're currently reading, before I found myself blitz-reading his 2012 memoir of adolescence, Pinboy, and the 1967 debut novel Mirror on the Floor, desperate to find out more about this Delsing character.
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