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The Loch Ness Monster legend originated in the first century A.D.
I get responded with a guy claiming that it's apples and oranges, even though all that was being talked about was examples of changes and nothing else, regardless of how petty or severe said changes are.
Where am I running in circles?
Since the earliest days of the Internet some of the largest providers and gateways have been universities and colleges across the world (like the University of Minnesota and its Gopher program ); many of these educational facilities would offer information about...
Your name, Enthir the Fearless.
If you were to spend 3 minutes in global chat, you would probably assume that of everyone, Noiryx is the worst fuck on this server (and you wouldn't be wrong) and likely be under the impression that he has no friends or family that loves him (which is also not far from the truth).
So many legends, so little time. Rick Grefe has asked me to speak briefly on the value of continuity in our profession. Of course one could take that charge to mean the short history of design, perhaps beginning with Peter Behrens, who is credited with invention of identity programs and coordinating graphic and industrial design activities. Or one might consider our history as beginning with the first cave paintings at the dawn of history.
I prefer the longer view that relates our activity to the fundamental needs of the human species. A species whose most distinctive characteristic is making things for a purpose, which turns out to be the actual description of what we do.
Any grandiosity or self-importance that this cosmic description of our activity creates in us will be quickly erased by the discovery that in a typical design class only 30% of the students will have any idea who Paul Rand is and will not be able to identify Eric Nitsche or Lester Beall, let alone Joseph Hoffman, Edward Penfield or Gustav Jensen. Incidentally, Jensen was a mentor to Paul Rand and, Cassandre aside, perhaps the designer he most admired, but I would not be at all surprised if most of us here tonight have never heard of him. – So much for understanding our own history.I have always believed that there is a psychological and ethical difference between those who make things and those who control things. If form making is intrinsic to human beings and has a social benefit, then we can think of the "good" in good design having more than a stylistic meaning. Linking beauty and purpose can create a sense of communal agreement that helps diminish the sense of disorder and incoherence that life creates.
The part of design that is involved in fashion and marketing has the least need to examine and understand our history. Examining what has happened over twenty years seems to provide enough information to meet professional requirements, but if our field aspires to be significant and worthy of respect, it must stand for something beyond salesmanship. Being a legend is an accomplishment that is hard won and sadly ephemeral, but being part of human kind’s desire to make useful and beautiful things links us to a glorious history.
Two weeks ago I developed a sudden, painful wrist condition. I went to a fancy hand doctor who told me I probably had a "gouty" incident. That’s not "Gaudi" the great Barcelonian designer and architect. It’s gout, as in those 18th century engravings of rich, fat men with inflamed big toes. My wrist is fine but while I was in the doctor’s office I noticed a document on his wall called "What A Surgeon Ought to Be" written in the 14th century. I’ve changed a word or two but it seems like good advice for our profession.
What the Designer Ought to Be: Let the designer be bold in all sure things, and fearful in dangerous things; let him avoid all faulty treatments and practices. He ought to be gracious to the client, considerate to his associates, cautious in his prognostications. Let him be modest, dignified, gentle, pitiful, and merciful; not covetous nor an extortionist of money; but rather let his reward be according to his work, to the means of the client, to the quality of the issue, and to his own dignity.
I Am Legend Essay Examples - Sample Essays
Marlow, the "second" narrator of the framed narrative, embarked upon a spiritual adventure on which he witnessed firsthand the wicked potential in everyone. On his journey into the dark, forbidden Congo, Marlow encountered Kurtz, a "remarkable man" and "universal genius," who had made himself a god in the eyes of the natives over whom he had an imperceptible power. These two men were, in a sense, images of each other: Marlow was what Kurtz may have been, and Kurtz was what Marlow may h...
Ali photo by John Lair. Photo of Muhammad and Lonnie Ali courtesy . Special thanks to the , an international education center and cultural attraction in Louisville, Ky., that preserves and promotes Ali’s Legacy.
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I Am Legend - Term Papers - Tatertotgang13
Self-awareness and consciousness is the main thing that separates humans from beasts; thus, had Shamhat not instilled this sense of understanding in Enkidu, he never would have left the forest....
I Am Legend Essay - Essay Samples
I brought up a report I had to prepare about a local urban legend and my desire to find someone who knew a tale of the “Goatman,” a famous figure in folklore.
Essay Review: I Am Legend | English and Stuff
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I was so felicitous that the college had chosen me out of all the other professors there, and now the gravity of the situation was weighing down on me and I was panicking.
Essay heading: I Am Legend Analysis - EssaysBank
Needless to say I wasn’t surprised that when I asked a roommate to relate an urban legend to me over lunch one day that she chose that of “Bloody Mary." The storyteller is a 20 year old woman studying psychology at the University....
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The director Tim Burton is known for his love of Hammer horror films and before starting work on this film he encouraged his team to watch Hammer horror films like "Black Sunday" and "The Fearless Vampire Killers", as this was the effect he wanted to put across in Sleepy Hollow....
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