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Architecture was crucial to the success of Rome.
Some of its columns were taken to Rome before the temple was finished and incorporated in the Temple of Jupiter Capitolinus where they had a major impact on Roman architecture.
This is the philosophical meaning of Greek architecture, which has entranced architects around the world for more than two thousand years.
There they created art and many architectural buildings.
“The history of the world’s great architecture is the astonishing story of how individuals and groups have taken that basic necessity of building and transformed it into possibly the greatest manifestation of the human spirit—more pr...
The spread of Christianity was phenomenon that traveled along Roman roads and was the topic of conversation in Roman population centers Katholikos means “universal” in Greek.
The Greeks and Romans both used arches.
Built for Pericles by architects Ictinus and Callicrates, and sculpted under the direction of Phidias, who personally created its huge chryselephantine cult statue of Athena, it is based on a peripetral octastyle ground plan.
The solid foundation platform; the down-pressing mass of architrave, frieze, and roof-structure, counteracting the otherwise too powerful sense of lift, from the columns; the serenity of the colonnade, modified by the exuberance of sculptured frieze and pediment - all this may be seen as a tangible expression of the Greek combination of freedom and restraint, of perfectly poised aspiration and reason, of invention and discipline.
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The Greeks and Romans used fountains and statues for decorations.
Among the greatest buildings erected by the Romans, were: , Nimes, France (19 BCE); Pont Du Gard Aqueduct, Nimes, France (19 BCE); The Colosseum, Rome (72-80 CE); Arch of Titus, Rome (81 CE); Aqueduct, Segovia, Spain (100 CE); the Baths of Trajan (104-109); Trajan's Bridge, Alcantara, Spain (105 CE); Library of Celsus, Ephesus, Turkey (120 CE); Hadrian's Wall, Northern England (121 CE); The Pantheon, Rome (128 CE); Palace of Diocletian, Split (300 CE); Baths of Diocletian (306 CE); Arch of Constantine, Rome (312 CE); and the Cloaca Maxima (600-200 BCE), one of the world's earliest sewage systems, constructed in Ancient Rome in order to drain local marshes and transport the city's waste to the River Tiber.
Logic and order are at the heart of Greek architecture.
81 AD, Rome (left)) or the Arch of Trajan (114-117 AD, Benevento (right)) were constructed by Emperors in Rome and its major cities to commemorate great military triumphs.
The two main ones are the Greek and Roman.
Thus, we find that ancient civilizations of Egypt and Greece had many similarities as well as differences. They both paid a lot of attention to having harmony in their residential quarters and it was very common to have extended family households, at least in rural areas. The conventional image is that of an enterprise of dozens of persons hierarchically governed by a paterfamilias who resides with several of his married adult children and their families. This was particularly true for the Egyptians and the Greeks, partly on account of polygamy and (especially) slavery, and households then might have included scores or hundreds of occupants (Ellickson 23). Other similarities and differences also existed in the art, architecture, geographical, and the political and social spheres of the two civilizations as discussed herein.
(For more about the history of Greek architecture, see: .)
Conqueror of Gaul and Carthage, of Greece and Egypt, mistress of the Western world through six centuries, capital of the mighty Caesars, unchallenged home of grandeur, spectacle, and magnificence, splendid with the art plundered from a hundred enslaved peoples, giver of laws and morals and military science to all the West.
From the Greeks some components of Roman architecture were adapted.
The Romans cut off rather than absorbed the one significant development on Italian soil, the Etruscan, and turned to import decadent Greek sculptors, decorators, and painters to give a Hellenistic surfacing to their culture.
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