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Virginia Woolf's "The Death of the Moth" By HORACE GREGORY
This method of hinting obliquely and only through suggestion at horror has influenced the course of the novel. The profound works of W. G. Sebald, for example, a German writer burdened with the question of how to address the ruination of the Second World War, is a literary event made in some way possible by Virginia Woolf. She helped show him how direct documentation is not necessarily the best course to follow. In the last interview he gave before his untimely death, in 2001, Sebald credited the insight to reading Virginia Woolf, and particularly her essay “The Death of the Moth,”
The purpose of this essay is to show how Virginia Woolf has successfully presented the inner mind of the characters, their struggle and their communication through the least amount of verbal communication among them....
THE DEATH OF THE MOTH By Virginia Woolf ..
Her Extraordinary Life: An early feminist that bemoaned the lack of formal higher education for women and considered one of the most important figures in early 20th Century Literature, Virginia Woolf is credited for creating the post-modern novel due to her stream of consciousness writing style in books like Mrs. Dalloway (1925), To the Lighthouse (1927), and Orlando (1928). A member of the literary circle known as the Bloomsbury Group, it was within this group that she met and eventually married Leonard Woolf. The two set up Hogarth Press in 1917 which published all of Virginia's works (usually with cover art by her sister Vanessa) including the novel-length essay about what it takes to be a female writer, A Room of One's Own.
Throughout this one day in the life of Virginia Woolf, we really do get an encapsulation of her entire life. We see her as the muse visits ("Leonard, I believe I may have a first sentence."). We see the relationship she has with her sister Vanessa Bell (Miranda Richardson) who comes with her three children to see how her sister is doing ("I'm saying, Vanessa, that even crazy people like to be asked."). Virginia even comes face to face with death as they have a funeral for a bird so that the creature may return to where she came from. But it all comes to a head when Virginia confronts Leonard (Stephen Dillane) at the train station as she tries to run away to London. She is suffocating within the confines of the small town and stifled by Leonard's constant protection of her. Kidman as Woolf, like a caged bird trying to break free, wails against her treatment, but ultimately reasons with Leonard saying that she would rather die than face the life she has come to know. Leonard eventually gives in, all the while knowing that granting her freedom will ultimately bring about her demise. But just as the two leave the station, Virginia, telling the audience as much as Leonard himself, sums up what we must ultimately take away from the film,
The Death of the Moth by Virginia Woolf Essay - 761 …
In Virginia Woolf’s “The Death of the Moth”, she writes about a moth flying about a windowpane, its world constrained by the boundaries of the wood holding the glass.
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