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Pound, Ezra. Ezra Pound's review of Yeats in magazine, May 1914.

These sculptures are expressions of reality, but not realistic reflections in terms of the mundane eye. The particularity and accidental detail is withdrawn to reveal a form of essence, which is purer but less factual than the earthly, real in an authentic sense but not documentary of our quotidian experience. In this sense is a spirit vision, and an artistic one, stripped of local detail and the accidental colours that give individuality; Yeats again used the image of abstract art as typified by Brancusi, in the revised version of ‘A Packet for Ezra Pound’, to explain his attitude towards the System as a whole and specifically towards the cyclical eras delineated in ‘Dove or Swan’:

(Yeats 1) His early poetry and drama acquired ideas from Irish fable and arcane study.

The poem appears to be written in free verse which adds to the poems references to "things falling apart" and "anarchy loosed upon the world." This lack of structure within the poem helps the reader feel as if they are a part of Yeats' condemned world....

William Butler Yeats’s poetry says otherwise.

"Mr Yeats's ardent new poems," a review from 1919 of  The (UK)  archive.

Yeats’s devotion to Ireland had, as its reverse, a detestation for urban, industrialized civilization, a civilization which fettered the imagination and denied it access to those traditional modes of feeling by which it is nourished. (48)

Yeats's creative eclecticism, blending the morning's conversation with philosophical abstractions, makes the notion of one and only one source for any image implausible: see Frank O'Connor's comments on the genesis of "Lapis Lazuli," for example (211-22)....

During the time he wrote the poem, William Yeats was...

Bogan, Louise.  An appreciation of the yet-living Yeats written in 1938, by poet Louise Bogan. .

The poem The Wild Swans at Coole was written by the Irish author, William Yeats in 1916 and published in 1917. The poem has a fix meter and rhyme and it represents the poet’s internal turmoil.

The Rose is a collection of twenty-two poems that W.B. Yeats published in 1893. It was only his second lyrical collection, but contains many of his famous mythological poems. At this point in his life, Yeats was steeped deeply into the world of...

Yeats uses the strength from his long and dedicated background into poetry.
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Edmond, Murray. On W.B. Yeats, Ezra Pound. 16 (March 2002).

Because of the dominance of this image in Yeats's mind, even when he comes to refer to the supernatural opposite to mundane reality, he uses the term the . There may also be some influence from Renaissance thinking here, where various writers posited intersecting pyramids of light and dark to represent the interpenetration of the divine and mundane, and to see in these two pyramids a ladder of descent from and ascent to the Godhead. Robert Fludd, the English Rosicrucian, created a fascinating series of diagrams which show the relationship of the Macrocosmic world of the divine to the Microcosmic world of the human.

Yeats asserted that his images "[g]rew in pure mind" (630).

Once in the possession of Gregory’s translation of the legend of Cuchulain, Yeats began to interweave the folkloric material he believed would not only enhance the impact of Cuchulain’s legend on his audience, but also contribute to his initial intent to inspire the new generations in Ireland. It was within that framework that Yeats began to shape the legend of Cuchulain as a prominent subject for much of his material; it is clear the poet identified with Cuchulain, and although a discussion of Yeats’s personal connections with Cuchulain is beyond the scope of this paper, it is still valuable to mention Yeats’s delicate relationship with his father as a possible subtext to the father-son conundrum present in the legend of Cuchulain.

Yeats “The Stolen Child”, a poem by W.B.

Virginia Moore puts forward some possible hypotheses in : George Yeats perpetrated a deliberate hoax; she tapped her own subconsious; she telepathically read her husband’s mind; she received genuine spirit communications; she was expressing what they termed their . She discounts the first through her knowledge of George Yeats herself, seems lukewarm about the next three, and appears to come down for a ‘final and synthetic’ hypothesis:

Yeats, can be analyzed on several levels.

There were people of the poetry world that analyzed William Butler Yeats’ work and saw quite an interesting use of symbolism and a strikingly unique use of fantastical imagery....

Includes a selection of Yeats's poetry and commentary.

Yeats' poem "Adam's Curse" can be seen as an example of a dramatic transformation of Yeats' poetic works: a movement away from the rich mythology of Ireland's Celtic past and towards a more accessible poesy focused on the external world.

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