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Alfred Prufrock," an early poem by T.S.

Prufrock does not know how to presume to begin to speak, both because heknows "all already"—this is the burden of his lament—and becausehe is already known, formulated. His consciousness of the other's eye—I hauntshis language at its source: "Let us go then, you and I." An"I" who addresses a "you" becomes subject to the laws ofcommunication, and his voice is subsumed by expression. In his critical replayof the poetic process, Eliot remarks that the poet expresses not a personalitybut a particular medium. The particular medium expressed in "Prufrock"is a confession or a dramatic monologue. The you-I split being the formal groundof his medium, Prufrock's problem is in fact the problem the expressive mediumintroduces, and this identification of the formal and rhetorical dimensions ofthe medium with the emotion or psychic burden of the speaker makes for theairless closure of the poem. As in Poe's "Raven," the speaker'srelationship to the form within which his adventure transpires constitutes thenature of his adventure: his form determines the content of his story.

Alfred Prufrock Prufrock's paralysis follows naturally from this subjectivizing of everything.

Prufrock." The poem circles around not only an unarticulated question, as all readers agree, but also an unenvisioned center, the "one" whom Prufrock addresses.

Alfred Prufrock and James Joyce's The Dead

One of the puzzles of the poem is the question as to whether Prufrock ever leaves his room.

Throughout the poem Prufrock is too scared to make a move and seize the day because he keeps saying, "there will be time." His destiny is that he will be old and loveless, hence the irony of the title, because he cannot bring himself to articulate his emotions to another woman.

Alfred Prufrock" is a poem which enters the dynamic consciousness of its title character, whose feelings, thoughts and emotions are displayed in a motley but organized sequence, as they ride the man's wavering mood.

Alfred Prufrock Essay: An Analysis

The Poem begins with an invitation from Prufrock to follow him through his self-examination.

Eliot’s method of an epigraph helps create an effective way for the readers to identify and notice Prufrock’s uncertainty and lack of confidence in the poem....

Eliot does this in such a manner that Prufrock himself would not be capable of expressing, due to his rationale of showing the reader Prufrock’s diffidence throughout the poem.

Alfred Prufrock" is not a poem about love, at least in any traditional sense.
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Alfred Prufrock The general fragmentation of "The Love Song of J.

Eliot draws, perhaps, on his own experiences to write The Love Song of J. Alfred Prufrock, but he extrapolates his sensations into the neurotic Prufrock, his alter ego. Since a poem spoken by Prufrock might have been unimaginative, Eliot chooses the device of a dramatic monologue to make his observations of the human condition. His use of the epigraph works well with the monologue to allow Eliot to write in the first person, and the technique keeps the poem fresh, even after several readings. It is more rewarding for a reader to make sense of a difficult poem, or a poem that makes its point in a very subtle manner, than it is to simply state an observation in plain language. Eliot makes a simple observation and keeps the reader interested by using unusual techniques that are both subtle and effective.

Alfred Prufrock T.S Eliot's The Love Song of J.

In the same essay where Eliot locates the beginnings of a poem in an unknown, dark"psychic material" that is put into form by the conscious mind, he allows for asecondary resurgence of the unconscious that arises from the very process of poeticcomposition: "the frame, once chosen, within which the author has elected to work,may itself evoke other psychic material; and then, lines of poetry may come into being,not from the original impulse, but from a secondary stimulation of the unconsciousmind." The mental forces at work in Eliot's description of the poetic process serveas an analogy to the conflicts besetting the speaker in Prufrock. The speaker is a failedpoet in terms of his inability to "murder" existing structures in order to"create" anew; be finds it impossible to say what be wants to say. In the"secondary stimulation of the unconscious mind" that occurs at this point, hepartly abandons and partly resolves the struggle of form and matter; the integration ofthe psyche remains at best incomplete.

Alfred Prufrock Essay: The Existential Anguish of J.

The flow and beauty of these lines demonstrates that Prufrock is capable of speaking about love in poetic style, so he should not be insecure. Again, it Is the understanding that Prufrock is speaking as though he were come back from another place, like Dante, that allows him to reveal his emotions in such heightened language. Prufrock has skill with language throughout the poem, but it is not Prufrock in the setting that is relating the scene. It is not the Prufrock of the scene that can quote from Marvell and Shakespeare; instead, it is the Prufrock of another place that is speaking in the poem. All this is given by Eliot's use of a passage by Dante, but without the context of the poem as a whole, looked back on, as it were, the epigraph makes little sense and seems out of place. When taken in retrospect, the reference to Dante is not only appropriate, but it explains how a character as insecure and inarticulate as Prufrock can say exactly what he means in the poem (through the poet), but not in the scene in the poem.

Alfred Prufrock Upon reading Eliot's "The Love Song of J.

The poem seems a perfect example of what Terry Eagleton calls the modern "transition from metaphor to metonymy: unable any longer to totalize his experience in some heroic figure, the bourgeois is forced to let it trickle away into objects related to him by sheer contiguity." Everything in "Prufrock" trickles away into parts related to one another only by contiguity....

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