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Causley continued to publish and write until his death.

She may also be casting the note aside because she wishes to avoid her guilt - it has already been shown she is ashamed of the situation.
The poet's use of the word "fire" could have been chosen here to emphasize the heat of the argument - fire symbolized passion, and possibly suggests the passion with which the mother holds LuLu in contempt.
And say it is nothing at all?
Here the poet further emphasizes the mother's inability to inform her child of the situation, whether due to a protective sense of the child, or as a result of her own guilt towards the situation.

Sara believed that she should be able to choose what her life will be, because it is her life....

His close friend said of Causley:

"Among the English poetry of the last half century, Charles Causley's could well turn out to be the best loved and most needed ... Before I was made Poet Laureate, I was asked to name my choice of the best poet for the job. Without hesitation I named Charles Causley–this marvellously resourceful, original poet, yet among all known poets the only one who could be called a man of the people, in the old, best sense. A poet for whom the title might have been invented afresh. I was pleased to hear that in an unpublished letter Philip Larkin thought the same and chose him too."

This is the reason why mold causes decomposition in organic matter.

Former National School, Launceston, where Causley was both pupil and teacher

Charles Causley's life was characterised by a rooted attachment to a single place: the Cornish town of Launceston in which he was born, worked and died. This essay discusses a wide range of poems to illustrate how this commitment to place underpins Causley's . Crucially, though, the essay argues that any comfortable sense of at-homeness is destabilised by the difficulties Causley encounters in speaking about home and origin; difficulties which, in turn, shape the dialectical pulls of speech and silence which can be traced in many of the writer's poems. The tensions embedded in Causley's poetry of place are underscored by his life-long preoccupation with the defamiliarisation of home brought about by foreign travel. The result, then, is a body of poetic writing which is shaped by a creative life spent wrestling with the ambiguities of belonging.

It also suggests some haste, as the car was clearly accelerating at some speed to cause the engine to roar.
And why do you
crumple that note
on the

Crumpling was possibly chosen as a verb here to depict the mother "crumpling" her relationship with her daughter, severing memories and emotional bonds.

Molds in bread can be poisonous and can cause infections if eaten....

Following the war, Causley worked as a teacher in his old school in Launceston, but left.

In 1958, Causley was made a Fellow of the and was awarded a in 1986. When he was 83 years old he was made a Companion of Literature by the : he greeted this award with the words, 'My goodness, what an encouragement!' Other awards include the in 1967 and a in 1971. In 1973/74 he was Visiting Fellow in Poetry at the University of Exeter, receiving an honorary doctorate from that university on 7 July 1977. He was presented with the in 2000. Between 1962 and 1966 he was a member of the Poetry Panel of the . He was twice awarded a travelling scholarship by the . There was a campaign to have him appointed on the death of , but to the people of his home town, he became "the greatest poet laureate we never had". He was interviewed by on on 1 December 1979: his music choices included five classical selections and three others while his chosen book was .

Causely also refers to Lulu as 'Lu' suggesting a close relationship between the two and this event must seem like a huge blow to a young boy being thrust into an adult world.
What has happened to Lulu, mother?
What has happened to Lu?
The poem seems to have a very child-like theme and vocabulary throughout, using simple phrases and often repeating itself, such as the first and last lines where the phrase "What has happened to Lulu, mother?" are repeated.

Some may say that these two characters clash because of their differences....
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Week 22: Eden Rock, by Charles Causley | David Sutton

In 1982, on his 65th birthday, a book of poems was published in his honour that included contributions from , , and 23 other poets, testifying to the respect and indeed love that the British poetry community had for him. His work, influenced by , is intensely original and many consider him to be, as was, a man working outside of the dominant trends of the poetry of his day. Because of this, academia has paid less attention to his work than it might have done. His popularity, particularly among the , remains high.

Analysis on Timothy Winters by Charles Causley? | …

The Charles Causley Trust secured the poet's house in Launceston for the nation in 2006, and is working towards opening the house to the public and providing a programme of heritage activities to promote Causley's life and work.

Timothy Winters by Charles Causley

According to the , "[b]ecause his characteristic themes, preoccupations, and freshness of language vary little, it is often difficult to distinguish between his writings for children and those for adults. He himself declared that he did know whether a given poem was for children or adults as he was writing it, and he included his children's poetry without comment in his collected works." W. H. Auden comments on Causley stating that "Causley stayed true to what he called his 'guiding principle' ... while there are some good poems which are only for adults, because they pre-suppose adult experience in their readers, there are no good poems which are only for children.".

War Poetry: Charles Causley and Siegfried Sassoon

In 1958, Causley was made a Fellow of the and was awarded a in 1986. When he was 83 years old he was made a Companion of Literature by the (he greeted this award with the words: "My goodness, what an encouragement!") Other awards include the in 1967 and a in 1971.

Timothy Winters by Charles Causley - allpoetry

In June 2010, the first Charles Causley Festival took place in Launceston, held over a long weekend. The programme included literature, music, art and a variety of other activities. A second, expanded Festival took place in the town over a full week, spanning the end of May and the start of June 2011, and broadened its themes still further with a science-based talk from Professor (of '' fame) who lives in the district.

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