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Free Example of Argumentative Fashion and Identity Sample essay
The 1960’s was particularly the most influential period in the use of fashion in the quest to assert and acknowledge the role of women in the society. Some of the dominant fashion trends, especially in the women dressing in 1960’s included miniskirts, slip dresses and straight skirts (Fig 1).
During an individual’s life, he or she will come across many obstacles that will shape her or his being and will further shape her or him into someone with particular traits, or an identity....
FASHION AND SOCIAL IDENTITY - US Custom Writings
Following these changes, the fashion industry in the 1960’s transformed radically, where it emphasized and isolated the sexual imagery of women from the reproductive aspects. The consequence of these changes in fashion was emphasis on women sexual attributes, such as slimness and height. The resulting identity, which Fawcett and Buckley (2002, p .139) refer as sexualised identity stressed on thinness and stylized physical qualities, which represented a highly fraught female model with diminished power and of questionable identity. In addition, the fashion in 1960s and 70s re-emphasized on the youthfulness as an ideal aspect of femininity.
So I have decided not to attend the Academy Awards this election year. I will not be lulled into submission with a few more well manufactured, feel-good ballads and a bit of good old fashioned T. and A. They are going to try to convince us that they have our best interests at heart by waving flags for identity politics and fake moral issues. But don't forget that many of these celebrities are the trophies of billionaire corporations whose only intention it is to manipulate you into giving them your consent and the last of your money. They have been paid to do a little tap dance to occupy you while Rome burns. These are the last days of a great American fake-out sponsored by Exxon Mobile, Walmart, Amazon, Google and Phillip Morris. America, a country that is no longer contained by physical borders, aspires only for more power and control. I want to maximize my usefulness and advocate for the preservation of biodiversity and the pursuit of human decency within my sphere of influence.
Free Fashion Culture Essays and Papers - 123helpme
The greater focus on this new found ideal of femininity coincided with agitation for feminism in the society, where women began fighting for independence and equality from the men folks. The apparent inequality was exacerbated by the media and fashion designers, who promoted the image of the ideal beautiful woman in public platforms such as beauty pageants. In this case, advertisers and fashion designers hired models based on their ‘look’, a practice that is widely used up to date (Mears 2010, p.23). The look of a model basically incorporates the unique physical and personality traits of the woman, which appeal to a client during a particular period of time, depending on the product being sold. These looks are gauged on loose height, dress size criteria in addition to basic attractiveness (Milagros & Barry 2009).
After I have explained both positions I will analyze the two and put forth my argument that diverse gender identity captures a more accurate depiction of gender.
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Fashion and Identity Fashion, Culture, and Personal … Essay
Manning and Baruth (2009, p.24) defines culture as “people’s values, languages, religions, ideals, artistic expressions, patterns of social and interpersonal relationships and ways of perceiving, behaving and thinking.” However, in this paper, cultural identity also relate to race, ethnicity, gender, sexual orientation, social class and all that defines the self....
Fashion and identity argumentative essay - …
To the feminist movements of 1960s and 1970s, the fashion impeded not only on their identity but also on their freedom. The women fashion in 1960s and 1970s offers valuable insights on the changing role of women in the society. Prior to this period, women roles in the society were restricted to giving birth and home keeping (Kaiser 2012). In this case, the women body was viewed as a reproductive tool, a perception that was reflected in fashion, where women dressed in long and conservative dresses, mainly for comfort. Lack of contraceptives before 1960s implied that women did not have control of their reproduction, a situation that subjugated them further to the socially construed roles in the society. The discovery of contraceptives and increased women empowerment in the 1960s changed the women identity. They realised that their bodies were not just for reproduction but also an important aspect of their sexuality. In this regard, women became more adventurous in their dressing and fashion styles, by wearing more revealing and tight attires such as miniskirts and more trendy footwear. In so doing, women appearance was sexualised and their image was no longer that of the conservative woman of the 1950s, but of a bubbling, playful girl. Their roles were no longer restricted in houses and they could endeavour to work in corporate organizations just like men were. The increased women confidence was further enhanced by access to higher education, which meant that they could compete and even outdo men in accessing well paying and skilled jobs. In this respect, women no longer needed men’s approval on their dressing or in determining what was good for them as far as dressing, beauty and social mobility is concerned.
Fashion and identity argumentative essay
Feminists regarded these attires as instruments of torturing women and oppressive devices, aimed at portraying women as just mere sexual objects. The consequence of the feminists’ opposition to this fashion trend was emergence of women liberation movements, such as the bra burning protest in 1960s and Miss America protests in1968, in attempt to liberate women from beauty stereotypes and other oppressive habits that were perpetrated by men and society at large against women (English 2007).
Fashion and cultural identity (State Library of Queensland)
A vague yet tangible mix of beauty and truth, the indelible influence of which is set to be celebrated with an exhibition at Liverpool's Open Eye Gallery next year.Co-curated by 's Lou Stoppard and bona fide Northerner Adam Murray, co-founder of the essential Preston Is My Paris photography collective, opens on 6 January and explores the way in which the region has been "depicted, constructed and celebrated in select photographs, artworks and fashion collections".Containing early work by Jamie Hawkesworth and Alasdair McLellan, alongside fashion garments by Christopher Shannon, John Skelton and a brand new collaboration between Virgil Abloh and Hacienda designer Ben Kelly, the show aims to consolidate our collective visions of the North, unpicking the tropes and themes that recur within the worlds of both design and media."The regional identity of Northern England has been central to my practice for many years," says Murray.
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