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In our interview with Antonio Olmos we discuss his journey as a photographer from Mexico to London, and the changes he has seen over his many years in the business, including the switch to film and the role of the mass media in disseminating photographic stories. In his latest project, The Landscape of Murder, Antonio documents the scenes of the murders that have taken place within the M25 in the past two years. He visited each sites within a few days, taking an image of what was there, from flowers, to crowds of people, to nothing but red tape. Antonio talks about working on London based stories, his philosophy and approach to photography and his belief in the importance of being analytical rather than technical. In our discussion of The Landscape of Murder we discus Antonio’s methods and composition, his decision to use a Google map and a blog, and the unexpected places and victims of these murders. His images challenge stereotypical views of London and question why these murders often go underreported.
Documentary Hypothesis, or JEDP Theory, is the view held by various scholars that the five books of the Pentateuch were really written by four different authors, and not Moses.
Documentary Photography Essay - by Sam6O - Anti Essays
Ira Nowinski is an acclaimed documentary photographer who has created extraordinary photo essays in a variety of areas of recent history, including North Beach in San Francisco, the evacuation of elderly citizens in San Francisco's SOMA district, aspects of Southeast Asian, Jewish, and Native American culture, and an important photographic study of Holocaust Memorials.
The Bay Area Video Arcades photographs were taken in 1980 and 1981 at several locations in the San Francisco Bay Area. The locations include the Santa Cruz Boardwalk, the Exploratorium (site of the 1981 Atari Asteroids competition), and other arcades in Oakland and San Francisco. One might think of these photographs as companions to Geoffrey and Elizabeth Loftus' classic essay from the same period, "The Arcade Subculture," first published as a chapter in their Mind at Play: The Psychology of Videogames (Basic Books, 1983). They wrote that the video arcades of the 1980s served a similar function as the drive-in theaters of an earlier generation. They are "not only ... novel but they are also a breeding ground for social interaction They’re places where social contact is made In a frlendly atmosphere and where frlendshlps are formed. They constitute the foundation of a subculture with its own norms, values and patterns of communications." Loftus & Loftus pointed out, for example, that the Arcade was a place where it was perfectly acceptable to stare at what another person was doing (playing an arcade game), without speaking to them. Ira Nowinski's photographs capture this sense of a place for the congregation of a new subculture, one that perhaps seems a bit strange, but one that has also become familiar with the passage of time.
Documentary Photography and the Photographic Essay
' as a representation of the complex ideas of the collective strife, the collective oppression, suppression and repression, that each slave in some way personally encountered - ideas that law was specifically written not to allow either expression or documentation....
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