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Katherine Mansfield - Wikipedia
With an Introduction and Notes by Professor Stephen Arkin, San Francisco State University Katherine Mansfield is widely regarded as a writer who helped create the modern short story. Born in Wellinton, New Zealand in 1888, she came to London in 1903 to attend Queen's College and returned permanently in 1908. her first book of stories, In a German Pension, appeared in 1911, and she went on to write and publish an extraordinary body of work. This addition of The Collected Stories brings together all of the stories that Mansfield had written up until her death in January of 1923. With an introduction and head-notes, this volume allows the reader to become familiar with the complete range of Mansfield's work from the early, satirical stories set in Bavaria, through the luminous recollections of her childhood in New Zealand, and through the mature, deeply felt stories of her last years. Admired by Virginia Woolf in her lifetime and by many writers since her death, Katherine Mansfield is one of the great literary artists of the twentieth century.
His efforts resulted in two additional volumes of short stories in 1923 (The Dove's Nest) and in 1924 (Something Childish), the publication of her Poems, The Aloe, as well as a collection of critical writings (Novels and Novelists) and a number of editions of Mansfield's previously unpublished letters and journals The Doll's House "I seen the little lamp." pag.
Katherine Mansfield Literary Criticism
Smith, Angela. How Mansfield's writing for the magazine , and her fellow writers there, influenced the development of her style. 21 (2003) pp 102-21 [free at jstor].
Waldron, Philip. Waldron examines the changes in Katherine Mansfield's journal that her husband, John Middleton Murry, made before he published it in 1927 and 1954. 20, 1 (Jan. 1974) pp 11-18 [free at jstor].
The Critical Writings of Katherine Mansfield ..
However, if we resist such simplistic reactions, the beautiful carter can give us insight into the way a society recovers from a war that jeopardizes the integrity of physical bodies as well as the stability of social categories. Set in the New Zealand of her youth, Mansfield’s “The Garden-Party” perhaps seems worlds away from the Great War.
. This essay begins with the maimed and mangled men of the Great War in order to highlight what is distinctive, indeed peculiar, about the dead man found in Mansfield’s 1921 short story “The Garden-Party.” Like the men who perished in the mass, industrialized killings of the Great War, the carter, whose horse shies at a traction engine, falls victim to mechanized modernity.
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Katherine Mansfield and the art of short story
During these years Mansfield and Murry were becoming well-acquainted with such literary and historical figures as D.H. Lawrence, Virginia Woolf, Lytton Strachey, and Bertrand Russell. Mansfield also began writing short stories for a journal called It was in the south of France that she penned her first major story, "The Aloe," which in a revised form was published first in 1918 as "Prelude." It "set the standard and established the pattern for all her later work," wrote Gordon in "Prelude" chronicles the doings of the fictional Burnell family of New Zealand, whose structure and members resemble the Beauchamps of Wellington quite distinctly. There is Stanley, the aggressive tycoon, the harsh mother Linda, the unmarried maiden aunt Beryl, and daughter Kezia, who in some of her youngest incarnations caused Joanne Trautman Banks to assert in that Mansfield was "one of our greatest portrayers of children in short fiction."
Katherine Mansfield Short Stories
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Katherine Mansfield - | New Zealand Book Council
Murray, Heather. On Mansfield's moral questioning, and accusations from some of her readers of "heartlessness," in "The Prelude," "Miss Brill," "The Doll's House," "Bliss," and other stories. 6 (1988) pp 99-118 [free at jstor].
Katherine Mansfield is a qualified ..
In the short story "Miss Brill," penned by Katherine Mansfield in 1922, a Sunday afternoon is spent with an elderly woman during her weekly ritual of visiting a seaside park. The woman, Miss Brill, enjoys her habitual outing to hear the band play and soak in the atmosphere, but most of all she relishes the chance to sit in on the lives of others by listening and watching. Mansfield's "Miss Brill" illustrates the old woman's attempt to alleviate loneliness by creating an alternate reality for herself, yet she is ultimately forced to face the self-deception for what it truly is.
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