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Comparison / Contrast Essays - YouTube

Never anger any protected audio industry entity, such as: A. An important current, or potential, advertiser; including manufacturers, distributors or retailers, or... B. Any other audio establishment which has a "personal relationship" with you. Delay acknowledging any serious problems with a "protected" component until you give another rave review to the "updated" model which replaces it and "corrects" the problems. Avoid making any direct comparisons with a "protected" component, but if you have to, follow these "Solutions": A. Compare the component only to older and/or obsolete models, especially from the same manufacturer. (See Rule #2 above). B. If Solution "A" is not possible, compare the component to "competitors" costing either MUCH more or MUCH less. C. If both Solutions "A" or "B" are not possible, "neglect" to mention the actual names and model numbers of the rival components that you compare it to in the review. D. If Solutions "A", "B" or "C" are all not feasible, and you must compare the model to a current, similarly priced (and "protected") competitor that you must name, then you must be: 1. As ambiguous as possible, and you must also...
2. Never describe any problem as "serious" (See Rule #3.E)
3. Never proclaim one model to be clearly superior to the other(s). In short...
4. Both (or all) of the components must be seen as equally desirable and of similar value. E. Problems or imperfections that aren't obvious (such as no bass below 40 Hz with small speakers), may be described as "serious" (easy to hear) only when using Solutions "A", "B" or "C". However, any problems described when using Solution "D" must always be "subtle" and "difficult to hear", or even described as an "advancement" if possible. You must never inform readers if an "audiophile" accessory or tweak is also available in a generic form at a fraction of the price that the "protected" manufacturer is charging (Blue Tac and RFI rings etc.). Any and all "transactions" between you and any of the parties mentioned in Rule #1 must always be kept strictly Confidential. Accordingly... A. You must never divulge the actual price, if any, you paid to "purchase" your reference components or accessories, or any extra costs you paid, if any, to have those same components updated, modified, repaired, replaced etc. B. You must never divulge any "gifts", "favors" or "perks" that you received from the "protected" audio entities, or those with whom you have a "personal relationship". You must never mention the actual costs, even at retail prices, of the parts that are used to manufacture the component. Further to Rules #4 & #6, you must never state, or even imply, that any component or accessory is "over-priced". The more corrupt your magazine is, the more you shall proclaim your honesty. Magazines shall never divulge the actual percentage of their advertising revenues to their total revenues. OVERRIDE CLAUSE- Some of the preceding rules (#1, #2 & #3) may be ignored only in the event of either a serious (and apparently indefinite) breach of the "personal relationship" between the audio company and reviewer/magazine, and/or the termination, or non-payment, of their advertising contract.

Perhaps the most common assignment in a Composition course is the comparison and contrast essay

The second question is one of procedure. We have, let's say, five points of difference between the two things that we want to contrast. Shall we go from side to side, as if our essay were a ping-pong match, or should we dwell on one side before going over to the other side, essentially splitting our essay in half? It is possible to mix these two approaches, but our approach will determine the overall structure, pacing, and effect of the essay.

Compare And Contrast Essay Sample - Educational …

In this essay I will compare and contrast a collection of different poems by Carol Anne Duffy, Robert Browning, Ben Johnson and Simon Armitage.

in a Composition course is the comparison and contrast essay. What could be easier? We've got these two things — movies, books, rock bands, decades, people, fashions, schools, ideas — how are they alike and how are they different? The paper practically writes itself! (A comparison, incidentally, is the process of showing how things are alike; a contrast is the process of showing differences.)

Finally, the business of a comparison and contrast essay is frequently (but not always) to demonstrate a preference for one thing over another. The trick is to allow the preference to grow out of the comparison without actually stating the obvious. Let the reader figure out the preference from the language we use in the contrast; let the language do its work.

This lesson explains what it is to write a compare and contrast essay

Charles Hansen, of Ayre Acoustics, died on November 28, 2017. I barely remember Hansen when he was with Avalon Speakers decades ago. I was not one of their dealers and we never formally met. In more recent times, specifically since 2007, Hansen has had a strong animus towards this website, and myself personally, due to a comparison review that I edited and posted (though I did NOT participate or otherwise contribute to), in which an Ayre digital component had performed poorly.

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