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Take Claude Debussy for example.
Debussy was fascinated by the sea, which he first depicted in the final movement of his 1899 , in which 16 women's voices wordlessly depict the allure of the mythological temptresses amid undulating waves – a monochromatic mood, and a rather clear portrayal of the title characters and setting. was more evocative and less literal, perhaps in part because Debussy wrote it in landlocked Burgundy, distilling memories of his childhood and holidays at the shore into an intense vision of the essence of the sea rather than a mere portrait. He wrote to a friend, "I have an endless store of memories [that] are worth more than the reality, whose beauty often deadens thought." Carson claims that Debussy felt overwhelmed in the presence of the sea and could not compose within sight or sound of it.
In self-defense, Debussy explained his esthetic goal: ‘I have tried to obey a law of beauty which appears to be singularly ignored in dealing with dramatic music. The characters of the drama endeavor to sing like real persons, and not in an arbitrary language on antiquated traditions. Hence, the reproach leveled at my alleged partiality for monotone declamation, in which there is no melody… To begin with this is no true. Besides, the feeling of cannot be continually expressed in melody. Also, dramatic melody should be totally different from the melody in general… I do not pretend to have discovered anything in Palleas; but I have tried to trace a path that others may follow, broadening it with individual discoveries which will, perhaps, free dramatic music fro, the heavy yoke under which existed for so long (Hutchinson Encyclopedia 2).
Claude Debussy (1862-1918)CD 2, No.
Claude Debussy, a composer of scents and iridescences, reaches his highest creative pitch in the tone-poem Iberia a truly brilliant work through which Andalusian perfumes and essences float as if in dream.
Day after day he listened to the Andalusian cantaores, and he whose soul lay wide open to the four winds of the spirit was impregnated with the ancient Orient by our melodies. He was Claude Debussy.
free essay on Claude Debussy's Musical Influence
Claude Debussy had a very significant impact on the lives of many composers and lovers of music alike. He wrote many different types of music which is still regarded by many as great pieces of work. His non-stop I can do anything attitude was for certain a remarkable trait that not too many people posess. To be the best was a very big deal to him, second best did not exist. If Claude had taken the criticisms that he can’t be a good musician then surly many different outcomes in music would have taken place. We have many things to thank him for, mainly contributions to music, but for sure we can say that he gave it all he had into every piece he composed. Claude truly took to heart what he loved to do, making his music appreciated by many. If it wasn’t for people like Claude then surly our society would lack the music intuition which he so readily exerted. “The composer’s character was from the outset a mercurial mixture of the definite and the undecided: set in certain ways yet open-minded - heroic but vulnerable” (Brown 16).
Debussy died in 1918, long before any of his orchestral works were recorded. Yet, his approach is conveyed by , who in 1909 became one of the first conductors to program (and for whom it became a favorite work, as he played it during his American years more often than any other composition, including his famed Beethoven and Brahms). As a measure of their mutual respect, Debussy agreed to some refinements Toscanini suggested in the scoring (including, in the first movement, doubling the divided cello passage with violas and adding trumpets to the final climax). Of his two studio recordings, the 1942 Philadelphia (BMG CD) boasts that orchestra's smooth, mellow, rich sound, while the 1950 NBC Symphony (BMG) glistens with clarity and detail and bursts with vitality. We also have four concert recordings that round out our portrait of the conductor who seems closest to Debussy's own aesthetic but whose studio efforts tend to be more brittle than his humanistic live work – 1935 with the BBC Symphony (with full dynamic range, textural clarification and old-fashioned portamento in the solo violin, EMI), 1936 with the New York Philharmonic (less dramatic and a lighter touch, Music and Arts), 1940 with the NBC (impulsive and volatile, Naxos) and 1953 with the NBC (graceful, Arkadia).
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Claude Debussy Essay - 1722 Words
An expert on harmony in the 20th century, he has written extensively on the music of Alban Berg and Claude Debussy (Debussy and the Veil of Tonality: Essays On His Music, Pendragon Press, 2004), and edited the revised 4th and 5th editions of Walter Pistonï¿½s Harmony, an essential textbook.
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Debussy's earliest works are mostly pieces for voice or piano solo, including the very popular piano piece Clair de lune. In 1894 he composed the orchestral tone poem Prelude to the Afternoon of a Faun, one of the seminal works in western music history. To convey the images and atmosphere of Mallarmé's poem "L'Après-midi d'un faune", Debussy employed a tonal palette of sighing and sensual diaphonous harmonies. With the premiere of his only opera in 1902, Pelléas et Mélisande, the demand for more of his music increased. Most notable among these later pieces is a work that is the closest thing to a symphony that Debussy wrote, the symphonic suite La Mer. Comprised of three symphonic movements Debussy called "sketches," the work is a musical "impression" (for lack of a better term, and one that Debussy loathed) of the sights and sounds of the ocean.
Claude debussy pagodes analysis essay - Habite Chile
Claude Debussy is one of the most influential musicians of the twentieth century, loved by many people of different musical tastes. From his early childhood many people recognized his love of music, knowing that he was ready and willing to be a successful musician. Making people love and appreciate the deeper side of music was one of his personal goal; but not the only goal. Due to Claude’s determination, passion, rebelliousness, and sufferings, he changed the way many people approach music today.
Claude Debussy Essays: Examples, Topics, Titles, & …
believe Claude Debussy has played an affecting role in what classical music is today and should remain greatly respected around the globe for the things he has accomplished.
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