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These are questions from existentialism.

The Plague, or La Peste in its original French, is a novel written by philosopher/writer in 1947. The story centers on a physician and the people he works with and treats in an Algerian port town that is struck by the . The tale is highly allegorical, meaning that it uses concrete characters, places, and events to symbolize non-literal or abstract principles. The Plague deals with issues central to three different but related philosophies: existentialism, the absurd, and humanism. Yes, that’s quite the pu pu platter. In addition to being incredibly steeped in philosophy, the novel is often read as a war allegory and a commentary on (which would have been ripe material in the 1940s). Camus won the in 1957 for his combined work which the committee declared as "illuminating the problems of the human conscience in our times." Doubtless, The Plague played a part in that award, which is reason enough to stop dithering about and read it already.

The philosophical term, Existentialism, came from Jean Paul Sartre, a French philosopher.

Contrary to criticism which therefore labels the movement cynically nihilistic, existentialism justifies life with reasoning similar to that of Zen Buddhism.

In other words, existentialism it emphasizes individual freedom.

The Stranger by Albert Camus is in relation to the existential philosophy of the individuals deviating thoughts towards their actions are in relation with protagonist Meursault in The Stranger by Albert Camus.

Specifically, the notions of hopelessness and absurdity can be gleaned from Buddhism in a manner helpful to the understanding of existentialist viewpoints on the same....

Soren Kierkegaard is considered to be the father of existentialism.

John Gardner’s intelligently written Grendel is a commentary on the merits and flaws of both types of worldview: the existentialist "meaning-free" universe, and the heroic universe, where every action is...

According to Sartre, Existentialism is philosophy that states that "if God does not exist, there is at least one being in whom existence precedes essence." It seems that Sartre's theory rests on this thesis that 'existence precedes essence' and therefore it should be basis for any further discussion or understanding of this philosophy....

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The first subject, Garcin, embraces existentialist ideas somewhat.

After completing Nuptials, Camus began to work on a plannedtriptych on the Absurd: a novel, which became The Stranger, aphilosophical essay, eventually titled The Myth of Sisyphus,and a play, Caligula. These were completed and sent off fromAlgeria to the Paris publisher in September 1941. Although Camus wouldhave preferred to see them appear together, even in a single volume,the publisher for both commercial reasons and because of the papershortage caused by war and occupation, released The Strangerin June 1942 and The Myth of Sisyphus in October. Camus keptworking on the play, which finally appeared in book form two yearslater (Lottman, 264–67).

Existentialism is the world of existence.

Someone that is put in a particular situation understands it far more than someone looking in on that same situation, one commonly used situation that appears often in existentialist writing is that of death....

Existentialism - Essay Topics - ThoughtCo

Throughout the novel, the narrator explores the existential theme of authenticity, as seen in the “I yam what I am” scene in Chapter 13 where he reaffirms his black roots and does not care of the stereotypical image that is perceived about black people.

Albert Camus The Stranger: Existentialism and Absurdism Essay …

Holden's individuality and his different way of thinking creates within him an Existentialist that refuses to accept weakness but holds sympathy for the weak and vulnerable.

Albert Camus | Existentialist | Existentialism and the …

Only if we accept that Nietzsche is right, that God is dead andthere is only nothingness after we die, will we then fullyexperience—feel, taste, touch, see, and smell—the joys ofour bodies and the physical world. Thus the sensuous and lyricalside of these essays, their evocative character, is central to theargument. Or rather, because Camus is promoting intense, joyous,physical experience as opposed to a self-abnegating religious life,rather than developing an argument he asserts that these experiencesare the right response. His writing aims to demonstrate what lifemeans and feels like once we give up hope of anafterlife, so that in reading we will be led to “see” hispoint. These essays may be taken as containing highly personalthoughts, a young man’s musings about his Mediterraneanenvironment, and they scarcely seem to have any system. But theysuggest what philosophy is for Camus and how he conceives itsrelationship to literary expression.

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