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2)The Beatles and Rolling Stones
I stand in the middle - it IS a precursor to all sorts of less-than-good songs Keith would write over the years, but there's an interesting passion in the song rarely found again in Keith's self-sung ballads, not to mention that it's nice to hear Jagger contributing backup vocals on a Keith ballad (VERY rare indeed).So overall, despite the presence of some weaknesses (in addition to those said above, I don't really have much use for the Jagger piano groove "Hide Your Love"), there are PLENTY of strengths that make Goat's Head Soup a very solid, very interesting addition to the Stones' catalogue.
Yup, the Rolling Stones.That said, when I speak of the instrumental skills of the Stones, I don't mean that they were in any position to compete with Yes of ten years later, or with Metallica or anybody like that.
The ROLLING STONES are way better period.
The fact that the issues that had inhibited Pete's ability to operate at full strength as a guitarist for a few years had seemingly disappeared, and the band's coup in landing Zak Starkey and having him develop into an acceptable Moon proxy (he wasn't exactly a clone but he brought more life to the band's rhythm section than Kenny Jones had), had given it the opportunity to put on aging British dinosaur rocker spectacles every bit on par with what The Stones were doing at the time (I mean this as a compliment).
Its like Pete said "They don't give a s--- Keith Moon is dead." Itsaboutlittle kids who don't appreciate rock's predecessors, like the Stones,Beatles, The Who, Led Zepplin and The Jimi Hendrix Experience.
Bottom Line….B is for Beatles BalladsR is for Rock and Rolling Stones
Let’s start with the only two songs the Beatles and Stones both did in the studio, with all four versions, as it happens, getting waxed in 1963 near the beginning of their careers.
The touring show “In My Life – A Musical Theatre Tribute to The Beatles” is the telling of The Beatles’ story through the eyes of manager Brian Epstein and featuring the live music of renowned tribute band Abbey Road. The band features Chris Paul Overall (Paul), Nathaniel Bott (John), Jesse Wilder (George) and Axel Clarke (Ringo).
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But I still don't see what everyoneelse does in The Rolling Stones.
Unlike the Stones or the Beatles, they never had majorsuccess with covers, and I could care less about their "influences"when they still had tons of better originals they could have added tothe setlist.
Look what I found,The Rolling Stones, The Beatles, and The Who.
For a very long time, the traditional debate of "greatest live album ever" tended to center around Live at Leeds and The Rolling Stones' Get Yer Ya-Ya's Out!, but the moment this performance was unearthed from the archives in 1996, this jumped into the thick of the discussion.
So, we are left with The Who and TheRollong Stones.
Let's compare Ya-Ya's with Leeds,and I know people have been arguing about this subject, I've decided to addto it.The Who's playing is great on here, it's really amazing, but the fact is TheStones made better songs (unless you like the Who's songs better of course :)).
The Rolling Stones' Rubber Soul, in more ways than one.
Two words, people: "FINGERPRINT FILE." At LAST, the band breaks out of its self-imposed creative restrictions, and the result is an absolute friggin' classic (and almost certainly one of my ten favorite, maybe five favorite, Stones songs).
The Beatles gave us love, The Stones, sex and The Who, anger.
Don't be fooled, though - the tracks are mostly VERY strong, and while there's no semblance of unity to them due to the level of diversity, the quality of each individual track is high enough to certainly justify such a high rating.Of course, it doesn't necessarily hurt that the album contains my absolute favorite post-Exile track, the friggin' gorgeous piano-ballad "Memory Motel." Sure, it might be possible to consider the electric piano tones a little cheezy, but no other complaint can possibly be voiced if you have no problem with the Stones doing good songs in any form.
This is the story of the girl who letrockand roll run her life.
In fact, if anything, I would dare venture to say that this album is MORE in line with the true spirit of the Stones, if only because of the giant increase in experimentation and style variation from the last album.As a corollary to that fact is another aspect of the album that might bug many - whereas Exile was an absolute Richards paradise, Soup is most definitely centered around the creative ambitions of Jagger.
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