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Welland, Dennis. Arthur Miller. New York: Grove Press, 1961.

The political cartoonist Herbert Block (Herblock) coined the term "McCarthyism."6 To this day, the term is not a compliment, intimating that if something resembles McCarthyism it is extreme and unproven.

Frank Magill. 'Arthur Miller' Detroit: Gale Research, 1992. 2366-2368.

On the other hand, Arthur Miller defines “tragedy” as a characteristic common to all human beings who are willing to give up their lives for the necessary and righteous causes, and for their dignities.

Hayman, Ronald. Arthur Miller. New York: Frederick Ungar, 1972.

J. 'Ben's Influence.' Arthur Miller?s Death of a Salesman: Modern Critical Interpretations. Ed.

If that was the case, then who was doing the bewitching? Senator Joe McCarthy began his life as the fifth of what was to be a family with nine children, born in Wisconsin to farmers of Irish descent.

Through an admission of our own ideological frailty not so unlike Arthur Miller's or Willy Loman's, we can see the nature of their tragedies, and also the nature of the tragedy that could await us all.

Miller, Arthur. Death of a Salesman. New York: Penguin, 1949.

The Arthur Miller SocietySteve Marino100-14 160 Avenue,Howard Beach, NY 11414

Miller also wrote the plays A Memory of Two Mondays and the short A View from the Bridge, which were both staged in 1955. His other works include After the Fall (1964), a thinly veiled account of his marriage to Monroe, as well as The Price (1967), The Archbishop's Ceiling (1977), and The American Clock (1980). His most recent works include the plays The Ride Down Mt. Morgan (1991), The Last Yankee (1993), and Broken Glass (1993), which won the Olivier Award for Best Play.

Although Miller did not write frequently for film, he did pen an adaptation for the 1996 film version of The Crucible starring Daniel Day-Lewis and Winona Ryder, which garnered him an Academy Award nomination. Miller's daughter Rebecca married Day-Lewis in 1996.

The Arthur Miller SocietySteve Marino100-14 160 Avenue,Howard Beach, NY 11414
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Critical Essays on Arthur Miller.

While a government must make attempts to try people for crimes fairly, the task is monumental and the system an imperfect one. Joe McCarthy didn't see it that way.

Miller, Arthur. The Crucible. 1952. New York: Penguin, 1981.

Miller Budick points out in his essay, "History and Other Spectres in " that in the introduction to his , Miller asserts that he was attracted to the story of the Salem witch trials before McCarthyism.

One person who zeroed in on this was playwright Arthur Miller.

Through the introduction of a possible, present-day threat to the students' own civil liberties, they may be better able to make a connection. Why did Arthur Miller feel compelled to write this play?

Arthur Miller is caught in the middle.

By acknowledging his helplessness to control his own identity in the face of economic forces, Biff's (and thus Miller's) ability to critique the system is marred.

"Arthur Miller: The Salesman's Two Cases". "Modern Drama, VI".

He first uses it when he asks the audience “did this [military spoils] in Caesar seem ambitious?” so that he can start to have them question Brutus’s accusation and draw them to his subsequent examples.

The Theatre Essays of Arthur Miller, Robert A Martin, ed.

Published in 1952, the play soon found its way to Broadway in the 1953 season where it enjoyed box office and critical success despite losing out in comparison to Miller's previous It was no secret at the time that Miller targeted McCarthy but critics upheld the play's integrity as a self-contained work that highlighted the witch trials in American history.3 In his eighties, Miller adapted his play for the screen.

"Arthur Miller: The Development of a Political Dramatist in America".







"No tragedy can ever come about when its author fears to question absolutely everything, when he regards any institution, habit, or custom as being either everlasting, immutable, or inevitable" (Miller 6).





Marxist literary criticism is at its strongest, therefore, when it attempts to explain art and its relationship to ideology (Eagleton 18).

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