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IT is the opinion of some very judicious writers, that the Gothic, or Eastern style, is only fit for large buildings, where it can be carried out in full perfection. But I doubt the correctness of this idea. On the contrary, it appears to me, that there is no style of architecture which admits of such variety, which is so beautiful on any scale, and which is so little dependent on size for its effect. The utmost latitude of embellishment, is, indeed, allowed by it; but it is fettered by no precise rules with regard to the degree. And although the kind of ornament and finish is fixed by examples, from which no man of judgment or good taste would venture to depart; yet the distinctive characters of the style may be preserved in union with the utmost simplicity. The general proportion, securing a due height in all its dimensions--buttresses, producing strong perpendicular lines of light and shade, and terminating in pinnacles--battlements, breaking the horizontal line, where it is next the sky--pointed arches, enclosing at least two subdivisions in the windows; and both windows and doors retreating from the outside of the walls, so as to furnish strong shadows, and increase the solemnity of the effect--these seem to present the prominent external features of the style, and may be preserved in connexion with the highest ornament, or with none at all, just as circumstances may require. The interior admits of the same variety, and demands attention to the same general principles. The ceiling may be groined, ribbed, and filled with tracery in the most costly manner, or it may consist of a simple pointed arch. It may be supported on clusters of slender pillars, or it may spring from the walls [10/11] in the plainest form. But its terminating line should never be horizontal. The upper line of the galleries should be broken by foliage or battlements, and the lower line should take the form of the pointed arch. All the panel work should give preponderance to the effect of the perpendicular line, and every termination which admits of it, should come to a point. But still, the gradations of finish are such, that where economy is the object, the style may be preserved in reasonable consistency with it. Proportions and forms must be marked, but ornament, in which the expense is chiefly involved, is arbitrary; and may be added afterwards, when the circumstances of those concerned shall allow.

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THE Gothic style of architecture has long possessed a high rank in the estimate of ecclesiastical taste, and has drawn forth no small share of, erudition in the various attempts made by European writers, to trace its derivation. Hitherto, however, these attempts have not led to any clear or positive result; and the field is still open to the claims of any reasonable theory. We design, therefore, to devote this chapter to the question: What was the probable origin of this admired style of building?

Architecture Essay - Ottoman Empire Building Techniques

Essay on Architecture - 555 Words - StudyMode

Written from a neo-Marxist point of view by a prominent Italian architectural historian, Architecture and Utopia leads the reader beyond architectural form into a broader understanding of the relation of architecture to society and the architect to the workforce and the marketplace. It discusses the Garden Cities movement and the suburban developments it generated, the German-Russian architectural experiments of the 1920s, the place of the avant-garde in the plastic arts, and the uses and pitfalls of seismological approaches to architecture, and assesses the prospects of socialist alternatives.

The first two years will be spent completing general education requirements, which is basically the same as many other students in different majors. Although there are some art and 3-dimensional designing courses that are taken in these first couple of years with a great emphasis on free-hand drawing skills; the student will not begin the study of actual structures until his or her junior year. These studies progress for the remaining years at the architectural school, but in the fourth year one will generally begin working on projects using CAD technology. Technical writing is also taken in these years that is the style of language that is commonly used in the work force. Universal code training is another subject of learning for the students, which may vary from state to state. After one graduates from an architectural college, there is still more training necessary to ensure quality and success. There is a minimum requirement of three years professional practice in an architect’s office or equivalent. The student will be an apprentice to his or her mentor in this stage, and will learn all the tasks done by a working architect through one-on-one training and cooperative projects. Once this stage is completed, the student can then take the state architectural exam to be able to work independently on his or her own. Therefore, an architect must become NAAV accredited. The test is eight hours in length, and tests everything that one should know to practice in that state. This test is a giant step for the student, who may walk out of the testing center an official architect. After years of experience on the job, an architect can be eligible to practice in more than one state. To practice from state to state, an architect must take an exam with the NCARB. One has to keep in mind the different environmental and building codes that vary from state to state. Certain states have more requirements than others, mainly due to differences in environments, landscapes, and natural disaster compensation. The education and testing fully prepares the student in becoming a successful architect. For most architects, the job is not solely confined to designing and making drawings. For many, the job is multi-faceted and cooperative. Besides drawing, architects perform many tasks throughout the workweek such as searching for projects, interviewing for jobs, surveying land, having meetings to discuss ideas, and writing technical reports. Detail is everything in an architect’s job, and relaying the ideas to coworkers and clients is even more important. People skills are a must for this job, for it is most often a collaborative effort on projects. A managerial architect is always making the balance between the number of workers on one project, and the speed at which the project must be completed. Quality is often sacrificed with the higher worker loads on one project; however, time is always spared. The job atmosphere is very professional, and the dress is still formal abroad. The designing of structures has changed drastically in the last decade due to advancement in technology. For thousands of years, designers and architects used only free-hand drawing skills on parchment or paper before the actual construction took place. In 1989, CAD (Computer Aided Drawing) was created in conjunction with the newfound computer age. In the first years of its development, the software was not beneficial over most architects’ free-hand drawing skills, for the technology was too slow and too unnatural for its users. However, in recent years, the software has become good enough and the computer processors have become fast enough to allow this CAD technology to actually outdo regular drawing methods. Now the designing process is faster, more precise, color coded, more professional, and simply easier than the old way. There is no telling how far the technology will improve, and how much time and energy will be saved in the process. There are many different branches of architecture. Conservation is the restoration of old, out-of-date, and usually historical buildings. There is domestic architecture, which is mainly the designing of new homes and apartment complexes. The most price worthy projects are within the major cities in the skyscrapers. Transportation architects design roads and highway systems. Naval architecture is the designing of naval ships. Landscape architecture is the reshaping of land for a desired effect such as a golf course. The list goes on and on. Many jobs fit the major natural talents and learned skills that I have. Engineering is a field that works with logical reasoning, mathematics and physics. Efficiency is the utmost goal for an engineer. Architects must know certain fields of engineering and physics to design strong buildings and structures. An interior designer uses his or her artistic talents to make a living space or workplace comfortable and appropriate for the environment that it resides in. They use color schemes, light variations, and creative artistic ability to accomplish this job; however, there is no serious physical structural designing skills required. Construction workers and builders work with their hands constantly to build structures that are designed by an architect, but there is little creativity involved in a construction worker’s job. An architect obtains all the skills necessary in designing structures that I have. Although architecture seems very challenging and time consuming, the rewards are unmistakable. A good architect can combine structural and physical knowledge with artistic creativity to create structures for society. An architect is talented and skilled in various areas. This would be a great responsibility for society, and an honor to do. Although I have very little experience in the technological area, I based my choice more on my mathematical interests. There will always be a need for architects as long as society continues to burgeon. This everlasting demand for architects is a promising feature in the work force today, especially since the signs of a slowing economy and increasing unemployment rates. Therefore, I will be pursuing a degree in architecture in college. My profound interests in mathematics, art, building, physics, designing, creativity, and a fulfilling sense of purpose are all fruits of architecture, which are carried out on the natural landscape that I love so much. In college, I will learn the knowledge and skills to be an architect, a job I was seemingly destined to do. Only then can I take all the skills and knowledge and passion for the field of architecture that I have to give back to the community which has so richly taken care of me.

What Is Architecture - A Proofread Essay Sample For …

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If you want to use any of these manuals for online publishing, please make sure to include proper referencing. Architecture is the creative process behind buildings, houses, and other structural development.

Under these circumstances, and stimulated by the repeated calls made upon him for plans of churches by his clerical brethren, the author commenced the following essay several years ago; and committed the greater part of the drawings to the lithographic press, during his residence near Boston. Availing himself of the excellent aids which he found in the Athenaeum of that city, and devoting to the work the chief portion of his leisure hours, he found it grow almost insensibly upon his hands, to a size which seemed, at length, to warrant publication. He puts it forth, however; not presuming that it can teach the professional architect, nor claiming for it the rank of a regular and systematic treatise; but as the essay of a mere amateur, only intended to be of service, where better guides are not at hand. And above all, his desire and hope, are that it may induce our rising [iv/v] clergy to give attention to a subject which peculiarly concerns themselves; and which must, in the nature of things, be principally committed to their management in a country like ours; where the assistance of professional architects cannot often be obtained, and where, in a majority of cases, the funds provided for the building of our churches so seldom warrant the employing them.

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But if we suppose that such was the mode in which the Gothic style was introduced into Europe, a difficulty occurs in the name by which it has become generally known; for why should it be termed if its origin was in Palestine? In answer to this, it may be sufficient to state that this name is commonly agreed to be the product of the dislike entertained against it by the architects of the sixteenth century, who, being desirous to establish the Italian style, in their devotion to the works of Vitruvius and Palladio, called the eastern style , in order to express their opinion of its comparative barbarism. ['A pedantic affectation of Italian taste' says Pugin, (1. vol. p. 10) had branded the pointed arch and all the buildings constructed on its principles, with the opprobrious term , an epithet inconsiderately applied, merely as designating something barbarous and devoid of regular design.] All late writers seem to admit that this name is every way objectionable; and many other appellations have been suggested as more appropriate. It may be doubted, however, whether custom, the tyrant of language, has not established this too firmly to allow of its being superseded. But if another term could be generally agreed on, perhaps the Eastern style, or the Ecclesiastical style, would be preferable to most of the phrases recommended by writers on the subject.

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In conclusion, I have only to remind the reader of the humble rank to which this volume lays claim. It is but the essay of an amateur, designed chiefly for those who have not made architecture their study. No man can be more sensible than myself, of its defects; yet, well knowing the want of some plain and simple directory of the kind, I lay it upon the altar of utility with the hope that it may be found acceptable to some of my brethren, and save them from many of those perplexities which commonly attend an attempt to erect the earthly sanctuary of God. With regard to credit, emolument, or reputation, I may well apply the adage, 'Happy is he that expecteth nothing, for he shall not be disappointed.' To supply the wants of the Church, in any and every department within my power, is the main business of my life; and if I have succeeded in this design to any reasonable degree, my labor will not have been in vain.

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