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Granville and California Democratic Party vs.

It is true that women have also supported patriarchal systems throughout the course of history. However, I would like to propose that this would be a very good time to lean upon and empower the feminine wisdom of circles of women, grandmothers, sisters... I believe that a massive change in the consciousness of all people on this planet will be necessary if we hope to dismantle the dangerous systems that we have constructed for ourselves and which we are inflicting upon our planet. It is the biological nature of women to tread more carefully on the face of this earth and in relation to one another, and we must search for this feminine power in each of our hearts now. As a transgendered person, I am more aware than most that masculine and feminine properties lie within all of us.

Artaud's immense influence on theatre practice continues to generate interest and debate.

- A concert film documentary captured during the critically acclaimed tour of Europe by Antony and the Johnsons and Charles Atlas during the fall of 2006, it explores the heart and experience of that series of performances. Through its synthesis of Antony’s songs and Atlas' unfurling video portraiture of the 13 women who performed on stage, TURNING is an intimate and cinematic journey exploring themes of identity, transcendence, and the revelation of a revolutionary feminine essence.

Antonin Artaud, Letters from Rodez

Society tried to correct the genius of Artaud with the authority of his psychiatrist’s thumb.

Antony is featured in the current issue of speaking about work done for current art projects and exhibitions including "Six Eyes" at Galerie du Jour in Paris. Also please see articles in and .

An exhibition of Antony’s artwork will be at the on July 6th in Turin, Italy as part of the . Much of the artwork from the recent releases along with other material can also be seen in the Summer Issue of Francis Ford Coppola’s of which Antony was the Guest Designer..

Artaud died of cancer on March 4, 1948, in a rest home near Paris.

There is no question van Gogh was a genius, as Artaud so eloquently proved in his essay.

Sikkema Jenkins & Co. is pleased to present The Cut, a solo exhibition of work by Antony on view from May 31st through July 12th, 2013. Antony has created a body of work including drawing, collage, and sculpture alongside his critically acclaimed musical career as both a singer and composer. Both his music and visual art are marked by intuitive and accumulative practices that reflect a shared visual and psychological vocabulary. The initial inspiration that provided the framework for the exhibition was a poem written by the artist entitled The Cut, which describes the source of creation as a slit in the sky. The marks that the artist makes on the surface of his artwork can at once be understood as scars as well as applications that have the ability to heal the surface of the paper, fabric, or canvas. A delicate line can be juxtaposed with a harsh application of paint or a torn edge. Many of the works are intimate in scale and ephemeral in their materiality, but they are monumental in the emotional depth that they convey. Like Joseph Beuys, Antony's work originates in personal experience yet it also addresses universal artistic or social ideas and poetically suggests the healing potential of art. For further information please see .

The common naturalist theme of man being controlled by nature appears many times throughout the novel, particularly in the chapters containing the first winter....

However, not everyone has been partial to this conventional form of theatre.
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Antonin Artaud, my mind salutes yours.

URGENT APPEAL FROM ANTONY

A while ago i spent several weeks in the Western desert of Australia working on a project with elders from the aboriginal Martu community in Parnngurr. It was one of the most memorable experiences of my life. The wisdom and radiance of these people was humbling. Their well-being and their knowledge of their homeland is one of Australia's most precious living assets.
Parnngurr is located near a site that the Canadian multinational company Cameco and Japanese company Mitsubishi wishes to exploit for uranium. This will have devastating consequences on the region. I have personally seen other mines in the area. They are horrific. The Martu have always known of the uranium at Kintyre; they have spoken of it for generations in their storytelling as something dangerous that should be left undisturbed. Please watch this

[ii] André Gide, “Antonin Artaud,” March 1948.

And this is what happened with the Theatre of the Absurd which, apart from having been in fashion, undoubtedly a genuine contribution to the permanent vocabulary of dramatic expression….

Starting at a young age, the main characters lives are intertwined.

returning to Antonin Artaud after his ten years of misery, to begin to glimpse what he meant, what this sign cast among us means, perhaps the last one worth deciphering …

baby i'm holding on dear this heart it is a waxwork of echoes

This project poses a direct threat to the integrity of WA’s largest National Park, surrounding communities, the Karlamilyi watershed and a number of threatened and endangered species.
This week the WA Environment Minister approved the proposed uranium mine at Kintyre.

Please share this from the Parnngurr community who are fighting against the uranium proposal – and send a message to Australian Minister Greg Hunt.

Please sign the petition and pass it on to others. Outcry from around the world can only help. - Antony Hegarty

Stuart of their doings and activities....

Yes, the Word was made flesh. And also, and above all in Artaud, the body was made word. Why then his old lament over his separation from words? Just as Van Gogh restores to nature its forgotten nobility, and to manmade things their maximum dignity, thanks to those sunflowers, those old shoes, that chair, those ravens…so too, with identical purity and identical intensity, the word of Artaud, that is to say Artaud himself, rescues “humanity’s abhorrent misery” by incarnating it. Artaud, like Van Gogh, and very few others, leaves us works whose primary difficulty is rooted in the place—inaccessible to almost everyone—where they were made. Any approach to them can only be real if it takes the terrifying roads of purity, lucidity, suffering, patience…

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