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by Anne Sexton and The Birthmark, by Nathaniel Hawthorne Essay
The poem Musee des Beux Arts by W.H Auden and Anne Sexton’s To a Friend Whose Come to Triumph are both based on the myth of Icarus both poet based their poetry on a painting by Pieter Brueghel on The Landscape of The Fall of Icarus.
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The third decade of the twentieth century brought on more explicit writers than ever before, but none were as expressive as Anne Sexton.
It was said to be very autobiographical in nature (Anne Sexton 2).
In Anne Sexton's masterpiece "Music Swims Back to Me", Sexton uses diction to her advantage to entice the reader and create visual images to convey a message.
Many other works were created in the years that followed including “The Double Image” which evokes rage, guilt, and love, and Live or Die which was said to be one of her best works (Anne Sexton 1).
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Anne Sexton often uses these innocent, childlike images juxtaposed with cynical but more realistic situations in order show that the lessons society teaches children, ones that children retain as adults, are illusions that do not properly illustrate the corrupt, violent world we actually live in....
In my dream,
drilling into the marrow
of my entire bone,
my real dream,
I'm walking up and down Beacon Hill
searching for a street sign -
namely MERCY STREET.
I try the Back Bay.
And yet I know the number.
45 Mercy Street.
I know the stained-glass window
of the foyer,
the three flights of the house
with its parquet floors.
I know the furniture and
mother, grandmother, great-grandmother,
I know the cupboard of Spode
the boat of ice, solid silver,
where the ...
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Anne Gray Harvey Sexton (b. 1928–d. 1974), born in Newton, Massachusetts, was the third daughter of an established and moderately wealthy family. One ancestor had been the governor of Maine, and her grandfather was editor of the . Women’s lives in the family were more ornamental than professional, and the beautiful Anne saw no route into a career. In 1948 she eloped with Alfred Sexton, a wool merchant like her father, after she had attended a finishing school in Boston. The Sextons had two children, Linda and Joy, and, after each was born, in 1953 and in 1955, Anne experienced breakdowns—the term “postpartum depression” was not yet common. During her hospitalizations, her mother-in-law cared for the little girls. But after her suicide attempt in 1956, her therapist suggested that Anne begin writing; language interested her. Her career as a poet began then, aided by her close friendship with the poet and novelist Maxine Kumin; writing courses with John Holmes and Robert Lowell; and friendships with George Starbuck, Sylvia Plath, and others. Instant publication led to instant recognition that Sexton was a unique “confessional poet,” and in 1960 her first book of poems appeared. launched what became a truly meteoric career. followed in 1962, and Sexton brought out in 1964. In 1966 her third collection, , won the Pulitzer Prize for Poetry. By the time of this award Sexton was in demand for poetry readings. Her performative abilities brought out the remarkably distinctive voices of the poems. A Sexton reading became an experience, and she grew to be something of a rock star in the poetry world. Always restless, she sought comfort through love affairs, alcohol, therapy, and her steadfast friendship with Kumin, whose house was connected with hers by a private telephone line. Sexton had won fellowships from the American Academy of Arts and Letters, the Ford Foundation, the Guggenheim Foundation, and the Radcliffe Institute; she was elected a fellow of the Royal Society of Literature in London; she was nominated for the National Book Award; she taught at Harvard and Radcliffe, lectured at Breadloaf, held the Crashaw Chair at Colgate University, and was a full professor at Boston University. She was the Phi Beta Kappa poet at Harvard. Pressure to continue these successes coupled with unsatisfactory psychiatric counseling and a divorce from her husband in 1973 led to increasing instability, and in November 1974 Sexton committed suicide.
Anne Sexton essays - Essays and Papers Online - Mega Essays
Kammer, Jeanne H. “The Witch’s Life: Confession and Control in the Early Poetry of Anne Sexton.” Language and Style 13 (1980): 29–35.
Essay on Anne Sexton and her Poetry | Expert Essay Writers
Not there”, multiple times throughout the poem as she searches for this auspicious way of life that is within her grasp, but yet, she cannot seize because its is conclusively absent (“45 Mercy Street” ll.
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