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BT - Solo/black/woman: scripts, interviews, and essays

By the way I was told I wasn’t global enough. I wonder where that came from? I dont’ remember being asked that question…how would the interviewer draw that conclusion- or were they just making up a reason not to hire me because I blew the first question? .. I guess that could be because of how I described how I deal with people- when you deal with people- I believe you deal with them one at a time – the world is round even if shaped like a globe, people are better dealt with one at a time…here or across the world. any how it was a big loss not to land that job…

A woman who essays interviews scripts

After the O.J. Simpson trial there was talk about how the country was splitting in two — one part black, one part white. It was ludicrous: typical gringo arrogance. It's as though whites and blacks can imagine America only in terms of each other. It's mostly white arrogance, in that it places whites always at the center of the racial equation. But lots of emerging racial tensions in California have nothing to do with whites: Filipinos and Samoans are fighting it out in San Francisco high schools. Merced is becoming majority Mexican and Cambodian. They may be fighting in gangs right now, but I bet they are also learning each other's language. Cultures, when they meet, influence one another, whether people like it or not. But Americans don't have any way of describing this secret that has been going on for more than two hundred years. The intermarriage of the Indian and the African in America, for example, has been constant and thorough. Colin Powell tells us in his autobiography that he is Scotch, Irish, African, Indian, and British, but all we hear is that he is African.

Solo/black/woman : scripts, interviews, and essays

BRAND NEW, Solo/Black/Woman: Scripts, Interviews, and Essays…

N2 - The collection solo/black/woman features seven solo performances by emerging and established feminist performance artists from the past three decades. The scripts are accompanied by interviews and critical essays, as well as a DVD showcasing the performances. The performers range from Robbie McCauley and Rhodessa Jones, who were at the leading edge of the solo monologue boom of the 1980s, to new talents such as Stacey Robinson and Misty DeBerry. Collectively, their work displays an enormous range of aesthetic approach and thematic emphasis. The anthology offers a comprehensive, stimulating introduction to the beauty, richness, urgency, pleasure, and political promise of black feminist performance.

Johnson, E. Patrick and Ramon Rivera-Servera- co-editors (2014), solo/black/woman: scripts, essays, and interviews. Northwestern University Press.

Book Review:A Woman Who: Essays, Interviews, Scripts …

A woman who essays interviews scripts - …

Hello! I just wanted to say this site was great and helped me a lot in my job interviews. The 5 years question was one of the thoughest ones for me. I think what helped me the most was to know the reason they ask that question in interviews. In my first interview the asked me the question and I knew exactly what to answer. I think internet is a great way to prepare for a job interview, it helps you know what to expect and prepare possible answers. My advise is to expect anything and not to memorize your answers, just know the company or place where you are applying, the job description, and answer your questions letting your interviewer know you are qualified for the possition. Eventhough you might feel prepared, you have to be CALMED, CONFIDENT and you have to project SECURITY. Look at your interviewer(s) in the eye while talking to them and smile. I had my first and second interview the same week, and in the second interview the law firm told me they wanted to make me an offer. I could not have done it that well without the advise I read from this page and others through the internet. Good luck!

I love it too, Lori. What a great response. What people so often don’t get is that interviewers really want to see the real person – and not, as you point out “scripted robots”. I get so mad at websites that tell people to deliver scripted answers that only hurt the candidates.

Solo/Black/Woman: Scripts, Interviews, and Essays | …
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Rainer a woman who essays interviews scripts: …

AB - The collection solo/black/woman features seven solo performances by emerging and established feminist performance artists from the past three decades. The scripts are accompanied by interviews and critical essays, as well as a DVD showcasing the performances. The performers range from Robbie McCauley and Rhodessa Jones, who were at the leading edge of the solo monologue boom of the 1980s, to new talents such as Stacey Robinson and Misty DeBerry. Collectively, their work displays an enormous range of aesthetic approach and thematic emphasis. The anthology offers a comprehensive, stimulating introduction to the beauty, richness, urgency, pleasure, and political promise of black feminist performance.

Solo/Black/Woman: Scripts, Interviews, and Essays …

For a quarter century, Tim Miller has worked at the intersection of performance, politics, and identity, using his personal experiences to create entertaining but pointed explorations of life as a gay American man—from the perils and joys of sex and relationships to the struggles of political disenfranchisement and artistic censorship. This intimate autobiographical collage of Miller's professional and personal life reveals one of the celebrated creators of a crucial contemporary art form and a tireless advocate for the American dream of political equality for all citizens.
Here we have the most complete Miller yet—a raucous collection of his performance scripts, essays, interviews, journal entries, and photographs, as well as his most recent stage piece . This volume brings together the personal, communal, and national political strands that interweave through his work from its beginnings and ultimately define Miller's place as a contemporary artist, activist, and gay man.

Solo/black/woman : scripts, interviews, and essays …

The three scripts in Penny Arcade’s , a collection of performance texts, essays and interviews, belong to that decade. But unlike many staged self-portraits of the era, Penny Arcade tackled the politics of identity politics head on. She’s got ire and punch aplenty, but also bucket-loads of compassion and humour, and she’ll denounce censorship and prejudice no matter what direction it comes from:

solo/black/woman: scripts, interviews, and essays …

He is the author of two award-winning books, Appropriating Blackness: Performance and the Politics of Authenticity, and Sweet Tea: Black Gay Men of the South—An Oral History. He is the editor of Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (Michigan UP, 2013) and co-editor (with Mae G. Henderson) of Black Queer Studies—A Critical Anthology and (with Ramon Rivera-Servera) of solo/black/woman: scripts, interviews, and essays and Blacktino Queer Performance (Duke UP, forthcoming). He is currently at work on the companion text to Sweet Tea, entitled, Honeypot: Southern Black Women Who Love Women and an edited collection of new writings in black queer studies tentatively titled, No Tea, No Shade: New Writings in Black Queer Studies.

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